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Three songs, three singers, three nations /

Greil Marcus has been one of the most distinctive voices in American music criticism for over forty years. His books, including Mystery Train and The Shape of Things to Come, traverse soundscapes of folk and blues, rock and punk, attuning readers to the surprising, often hidden affinities between th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Marcus, Greil (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Massachusetts : Harvard University Press, 2015.
Colección:William E. Massey, Sr. lectures in the history of American civilization ; 2013.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Three songs, three singers, three nations /  |c Greil Marcus. 
264 1 |a Cambridge, Massachusetts :  |b Harvard University Press,  |c 2015. 
300 |a 1 online resource (164 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a The William E. Massey Sr. lectures in the history of American civilization ;  |v 2013 
504 |a Includes bibliographical references and index. 
505 0 |a Inflection : "Ballad of Hollis Brown," Bob Dylan -- Disappearance and forgetting : "Last kind words blues," Geeshie Wiley -- World upside down : "I wish I was a mole in the ground," Bascom Lamar Lunsford. 
520 8 |a Greil Marcus has been one of the most distinctive voices in American music criticism for over forty years. His books, including Mystery Train and The Shape of Things to Come, traverse soundscapes of folk and blues, rock and punk, attuning readers to the surprising, often hidden affinities between the music and broader streams of American politics and culture. Drawn from Marcus's 2013 Massey Lectures at Harvard, his new work delves into three episodes in the history of American commonplace song: Bascom Lamar Lunsford's 1928 I Wish I Was a Mole in the Ground, Geeshie Wiley's 1930 Last Kind Words Blues, and Bob Dylan's 1964 Ballad of Hollis Brown. How each of these songs manages to convey the uncanny sense that it was written by no one illuminates different aspects of the commonplace song tradition. Some songs truly did come together over time without an identifiable author. Others draw melodies and motifs from obscure sources but, in the hands of a particular artist, take a final, indelible shape. And, as in the case of Dylan's Hollis Brown, there are songs that were written by a single author but that communicate as anonymous productions, as if they were folk songs passed down over many generations. 
588 0 |a Print version record. 
546 |a In English. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
600 1 0 |a Dylan, Bob,  |d 1941-  |t Ballad of Hollis Brown.  |f 1964. 
600 1 0 |a Lunsford, Bascom Lamar,  |d 1882-1973.  |t I wish I was a mole in the ground.  |f 1928. 
600 1 0 |a Wiley, Geechie.  |t Last kind words blues.  |f 1930. 
630 0 7 |a Last kind words blues (Wiley, Geechie)  |2 fast 
630 0 7 |a I wish I was a mole in the ground (Lunsford, Bascom Lamar)  |2 fast 
630 0 7 |a Ballad of Hollis Brown (Dylan, Bob)  |2 fast 
650 0 |a Folk songs, English  |z United States  |x History and criticism. 
650 0 |a Folk musicians  |z United States. 
650 6 |a Musiciens traditionnels  |z États-Unis. 
650 7 |a MUSIC  |x Instruction & Study  |x Voice.  |2 bisacsh 
650 7 |a MUSIC  |x Lyrics.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Vocal.  |2 bisacsh 
650 7 |a MUSIC  |x History & Criticism.  |2 bisacsh 
650 7 |a Folk musicians  |2 fast 
650 7 |a Folk songs, English  |2 fast 
651 7 |a United States  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Marcus, Greil.  |t Three songs, three singers, three nations  |z 9780674187085  |w (DLC) 2015010873  |w (OCoLC)908332700 
830 0 |a William E. Massey, Sr. lectures in the history of American civilization ;  |v 2013. 
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