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Born of resistance : cara a cara encounters with Chicana/o visual culture /
"This collection of essays gives voice to a diversity of perspectives involved in the production, exhibition, documentation, and interpretation of landmark Chicana/o visual cultural expression since the 1960s, exploring the idea of resistance, with a unifying theme that all art is political; ar...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Tucson :
The University of Arizona Press,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Born of resistance : |b cara a cara encounters with Chicana/o visual culture / |c edited by Scott L. Baugh and Victor A. Sorell. |
| 260 | |a Tucson : |b The University of Arizona Press, |c 2015. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "This collection of essays gives voice to a diversity of perspectives involved in the production, exhibition, documentation, and interpretation of landmark Chicana/o visual cultural expression since the 1960s, exploring the idea of resistance, with a unifying theme that all art is political; artwork discussed includes etching, lithography, digital retablos, wooden sculpture, photography, painting, video installation, and documentary film"--Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgments; Introduction: Resisting Definitions of Chicana/o Visual Culture (Scott L. Baugh and Víctor A. Sorell); Part I; (Re)Forming America's Libertad (Ester Hernández); Freedom and Gender in Ester Hernández's Libertad (Laura E. Pérez); A Conversation with Yolanda López and Víctor A. Sorell; Thoughts on Who's the Illegal Pilgrim (René Yañez); Remapping America in Ester Hernández's Libertad and Yolanda López's Who's the Illegal Alien, Pilgrim? (Yvonne Yarbro-Bejarano); Part II; San Diego Donkey Cart Reconsidered (David Avalos). | |
| 505 | 8 | |a A Remembered Dismemberment: David Avalos's San Diego Donkey Cart (Lynn Schuette)The Border Door: Complicating a Binary Space (Richard A. Lou); Through The Border Door (Patricio Chávez); Public Interventions and Social Disruptions: David Avalos's San Diego Donkey Cart and Richard Lou's The Border Door (Guisela Latorre); Part III; Thoughts on Dos Pedros sin Llaves (Luis Tapia with Carmella Padilla); Thoughts on St. Peter Is Imprisoned (Nicholas Herrera with Sallie Gallegos); Pedro in the Pinta, Have You Seen My Keys?: Inside the Art of Luis Tapia and Nicholas Herrera (Tey Marianna Nunn). | |
| 505 | 8 | |a The Persistence of Chicana/o Art: Contemporary Santeros Reinterpret a Traditional Santo (Víctor A. Sorell)Part IV; From Man on Fire (Luis Jiménez); Editorial Note (Scott L. Baugh and Víctor A. Sorell); Rearing Mustang, Razing Mesteño (Delilah Montoya); Kindred Spirits: On the Art and Life of Luis Jiménez (Ellen Landis); Occupying a Space Between Myth and Reality: The Sculpture of Luis Jiménez (Charles R. Loving); Part V; A Conversation with Mel Casas and Rubén C. Cordova; Brown Paper Report (Mel Casas and Con Safo); A Contingency Factor (Mel Casas and Con Safo). | |
| 505 | 8 | |a Getting the Big Picture: Political Themes in the Humanscapes of Mel Casas (Rubén C. Cordova)Part VI; Revisiting My Alamo (Kathy Vargas); Malinche y Pocahontas, Breaking Out of the Picture (Robert C. Buitrón); From "Many Wests" (Chon A. Noriega); Topographies of the Imaginary: Kathy Vargas's My Alamo and Robert C. Buitrón's El Corrido de Happy Trails (Jennifer A. González); Where Carnales Were, There Shall Unprodigal Daughters Be: Kathy Vargas's My Alamo and Robert C. Buitrón's Malinche y Pocahontas (Asta Kuusinen); Part VII; A Conversation with Willie Varela and Scott L. Baugh. | |
| 505 | 8 | |a In This Burning World, Willie Varela Resists (Kate Bonansinga)Sense and Sensibilities: Discontinuing Conventions in/for Willie Varela's Burning World (Scott L. Baugh); Part VIII; Tracking the Monster: Thoughts on Señorita Extraviada (Lourdes Portillo); Between Anger and Love: The Presence of Señorita Extraviada (Bienvenida Matías); The Eye of Pain/El Ojo del Dolor (Claire Joysmith); Resisting the Violence of Values: Lourdes Portillo's Señorita Extraviada as Performative Utterance (Mónica F. Torres); Part IX. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Mexican American art |x Political aspects. | |
| 650 | 6 | |a Art américain (mexicain) |x Aspect politique. | |
| 650 | 7 | |a ART |x American |x Hispanic American. |2 bisacsh | |
| 700 | 1 | |a Sorell, V. A. |q (Victor A.), |e editor. | |
| 700 | 1 | |a Baugh, Scott L., |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Born of resistance. |d Tucson : The University of Arizona Press, 2015 |w (DLC) 2015006095 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt183pbbh |z Texto completo |
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