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Paradoxia epidemica : the Renaissance tradition of paradox /

Paradoxia Epidemica is a broad-ranging critical study of Renaissance thought, showing how the greatest writers of the period from Erasmus and Rabelais to Donne, Milton, and Shakespeare made conscious use of paradox not only as a figure of speech but as a mode of thought, a way of perceiving the univ...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Colie, Rosalie Littell (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, [2015]
Colección:Princeton Legacy Library
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Colie, Rosalie Littell,  |e author. 
245 1 0 |a Paradoxia epidemica :  |b the Renaissance tradition of paradox /  |c Rosalie L. Colie. 
264 1 |a Princeton, New Jersey :  |b Princeton University Press,  |c [2015] 
264 4 |c ©1967 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a "The puny rhypographer" : François Rabelais and his book -- "Pity the tale of me" : Logos and art's eternity -- John Donne and the paradoxes of incarnation -- Affirmations in the negative theology : the infinite -- Affirmations in the negative theology : eternity -- Logos in The temple -- "Nothing is but what is not" : solutions to the problem of nothing -- Le pari : all or nothing -- Still life : paradoxes of being -- Being and becoming : paradoxes in the language of things -- Being and becoming in The fairie queene -- "I am that I am" : problems of self-reference -- The rhetoric of transcendent knowledge -- Burton's Anatomy of melancholy and the structure of paradox -- "Reason in madness" -- "Mine own executioner." 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed November 5, 2015). 
520 |a Paradoxia Epidemica is a broad-ranging critical study of Renaissance thought, showing how the greatest writers of the period from Erasmus and Rabelais to Donne, Milton, and Shakespeare made conscious use of paradox not only as a figure of speech but as a mode of thought, a way of perceiving the universe, God, nature, and man himself. The book consists of an introduction (historical and topological) and sixteen chapters grouped according to broad types of paradox: rhetorical, theological, ontological, epistemological. Within this framework the author interprets individual writings or art forms as parts of a rich tradition. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
546 |a In English. 
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650 0 |a Literature, Modern  |y 15th and 16th centuries  |x History and criticism. 
650 0 |a European literature  |y Renaissance, 1450-1600  |x History and criticism. 
650 0 |a Paradox. 
650 6 |a Littérature  |y 15e et 16e siècles  |x Histoire et critique. 
650 6 |a Littérature européenne  |y 1450-1600 (Renaissance)  |x Histoire et critique. 
650 6 |a Paradoxe. 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x General.  |2 bisacsh 
650 7 |a European literature  |x Renaissance.  |2 fast  |0 (OCoLC)fst01710967 
650 7 |a Literature, Modern.  |2 fast  |0 (OCoLC)fst01000172 
650 7 |a Paradox.  |2 fast  |0 (OCoLC)fst01052841 
648 7 |a 1400-1600  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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