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Renaissance papers 2014 /
Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2014 volume opens and closes with essays on historically based explorations of identity: the first on the circle of Jane Scroop in Skelton's 'Philip Sparrow', and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor Corporativo: | |
| Otros Autores: | , |
| Formato: | Electrónico Congresos, conferencias eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, New York :
Published for the Southeastern Renaissance Conference by Camden House,
[2015]
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| Colección: | Renaissance papers,
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 111 | 2 | |a Southeastern Renaissance Conference |d (2014 : |c University of North Carolina at Greensboro) | |
| 245 | 1 | 0 | |a Renaissance papers 2014 / |c editors, Jim Pearce and Ward J. Risvold ; assistant editor, Nathan Dixon. |
| 264 | 1 | |a Rochester, New York : |b Published for the Southeastern Renaissance Conference by Camden House, |c [2015] | |
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| 520 | 8 | |a Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2014 volume opens and closes with essays on historically based explorations of identity: the first on the circle of Jane Scroop in Skelton's 'Philip Sparrow', and the last on dogs and horses as symbols of national identity in early modern England. The heart of this year's journal is English drama, especially Jonson and Marlowe: there are essays on Puritan logic in Jonson's 'Bartholomew Fair'; grotesque sex in Jonson's 'Volpone'; the role of anti-Catholicism in the creation of Marlowe's 'Dr. Faustus'; and the relationship between puppetry and the Faust legend. Marlowe and Jonson also surface in two reconsiderations of their non-dramatic works; first an essay on Ovidian resonances in Marlowe's 'Hero and Leander', and second a reflection on Spenserian echoes in Jonson's 'Epode'. The next essay shifts to the poetics of religious literature, arguing for clothing as an important metaphor for renewal in Herbert's 'The Temple', and the penultimate essay addresses imaginative resources in the Martin Marprelate pamphlets. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Frontcover; Contents; Who Was Jane Scrope?; "All is but Hinnying Sophistry": The Role of Puritan Logic in Bartholomew Fair; Grotesque Sex: Hermaphroditism and Castration in Jonson's Volpone; The Devil, Not the Pope: Anti-Catholicism and Textual Difference in Doctor Faustus; "Straunge Motion": Puppetry, Faust, and the Mechanics of Idolatry; The Ovidian Recusatio in Marlowe's Hero and Leander; "To catchen hold of that long chaine": Spenserian echoes in Jonson's "Epode"; Devotion in the Present Progressive: Clothing and Lyric Renewal in The Temple | |
| 505 | 8 | |a Dost thou see a Martin who is Wise in his own Conceit? There is more hope in a fool than in him. English Dogs and Barbary Horses: Horses, Dogs, and Identity in Renaissance England; Review Section; Quentin Skinner, Forensic Shakespeare. Oxford, UK: Oxford University Press, 2014. Cloth, 368 pages. Reviewed by Andrew P. Williams | |
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| 650 | 0 | |a English literature |y Early modern, 1500-1700 |x History and criticism |v Congresses. | |
| 651 | 0 | |a Great Britain |x Civilization |y 16th century |v Congresses. | |
| 651 | 0 | |a Great Britain |x Civilization |y 17th century |v Congresses. | |
| 650 | 0 | |a Renaissance |v Congresses. | |
| 651 | 6 | |a Grande-Bretagne |x Civilisation |y 16e siècle |v Congrès. | |
| 651 | 6 | |a Grande-Bretagne |x Civilisation |y 17e siècle |v Congrès. | |
| 650 | 6 | |a Renaissance |v Congrès. | |
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| 700 | 1 | |a Pearce, Jim |c (Director of Graduate Studies), |e editor. | |
| 700 | 1 | |a Risvold, Ward J., |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Renaissance papers 2014 |z 9781571139283 |w (OCoLC)917364610 |
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