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Classical Hollywood cinema : point of view and communication /
This text offers a new approach to filmic point of view by combining close analyses informed by the tools of narratology and philosophy with concepts derived from communication studies. It interrogates prevailing assumptions about film's ability to represent character experience and offers an a...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2016.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Zborowski, James, |e author. | |
| 245 | 1 | 0 | |a Classical Hollywood cinema : |b point of view and communication / |c James Zborowski. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (xiii, 137 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 131-134) and index. | ||
| 505 | 0 | |a Introduction: point of view and communication -- 1 Point of view, consciousness and interaction -- 2 Distance, representation and criticism -- 3 Communication, love and death -- Conclusion: categories and conversations -- Postscript: education, communication and film studies. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a This text offers a new approach to filmic point of view by combining close analyses informed by the tools of narratology and philosophy with concepts derived from communication studies. It interrogates prevailing assumptions about film's ability to represent character experience and offers an alternative way of understanding and describing films' achievements in this regard. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 650 | 0 | |a Motion picture industry |x Communication. | |
| 650 | 0 | |a Motion pictures |z United States |x History. | |
| 650 | 0 | |a Motion picture industry |z United States |x History. | |
| 650 | 6 | |a Cinéma |x Industrie |x Communication. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire. | |
| 650 | 7 | |a Film Theory & Criticism. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Motion picture industry. |2 fast |0 (OCoLC)fst01027150 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 651 | 7 | |a California |z Los Angeles. |2 fast |0 (OCoLC)fst01204540 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Zborowski, James. |t Classical Hollywood cinema. |d Manchester [U.K.] : Manchester University Press, 2016 |z 9780719083341 |w (OCoLC)914222024 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt18dzr4h |z Texto completo |
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