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The would-be author : Molière and the comedy of print /

This book is the first full-length study to examine Molière's evolving (and at times contradictory) authorial strategies, as evidenced both by his portrayal of authors and publication within the plays and by his own interactions with the seventeenth-century Parisian publishing industry. Histor...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Call, Michael, 1976-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: West Lafayette, Indiana : Purdue University Press, 2015.
Colección:Purdue studies in Romance literatures ; v. 63.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Purdue studies in Romance literatures ;  |v volume 63 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: The death of the author -- Moliere's writers -- The early plays and the pirates who loved them -- Comedic authorship and its discontents -- "Je veux qu'on me distingue" -- The school for publishers -- Collaboration's pyrrhic triumph -- Afterword: The death of the actor. 
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520 |a This book is the first full-length study to examine Molière's evolving (and at times contradictory) authorial strategies, as evidenced both by his portrayal of authors and publication within the plays and by his own interactions with the seventeenth-century Parisian publishing industry. Historians of the book have described the time period that coincides with Molière's theatrical activity as centrally important to the development of authors' rights and to the professionalization of the literary field. A seventeenth-century author, however, was not so much born as negotiated through often acrim. 
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