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JSTOR_ocn925337544 |
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|b C296 2016
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|a Z UA380.8 C211in
|2 txdocs
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|a UAMI
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100 |
1 |
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|a Carman, Emily,
|e author.
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1 |
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|a Independent stardom :
|b freelance women in the Hollywood studio system /
|c by Emily Carman.
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|a First edition.
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|a Austin :
|b University of Texas Press,
|c 2016.
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300 |
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|a 1 online resource (220 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a Texas film and media studies series
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|a Includes bibliographical references and index.
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|a 1930s Hollywood : the golden age for talent -- The [freelance] contract in context -- Labor and lipstick : promoting the independent persona -- Independent stardom goes mainstream.
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|a Print version record.
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|a During the heyday of Hollywood's studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shake up in Emily Carman's new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood's best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Constance Bennett, Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Holllywood's patriarchal structure. Through extensive, original archival research, Independent Stardom uncovers this hidden history of women's labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work independently. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. -- Provided by publisher.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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0 |
|a Motion picture industry
|z California
|z Los Angeles
|x History.
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650 |
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|a Women in the motion picture industry
|z California
|z Los Angeles
|x History.
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650 |
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|a Motion picture actors and actresses
|z California
|z Los Angeles
|x History.
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651 |
|
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|a Hollywood (Los Angeles, Calif.)
|x History.
|
650 |
|
6 |
|a Cinéma
|x Industrie
|z Californie
|z Los Angeles
|x Histoire.
|
650 |
|
6 |
|a Femmes dans l'industrie cinématographique
|z Californie
|z Los Angeles
|x Histoire.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
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|a PERFORMING ARTS / Film & Video / History & Criticism
|2 bisacsh
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650 |
|
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|a Motion picture actors and actresses
|2 fast
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650 |
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7 |
|a Motion picture industry
|2 fast
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650 |
|
7 |
|a Women in the motion picture industry
|2 fast
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651 |
|
7 |
|a California
|z Los Angeles
|2 fast
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651 |
|
7 |
|a California
|z Los Angeles
|z Hollywood
|2 fast
|
650 |
|
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|a Kvinnor och filmindustrin, USA.
|2 sfit
|
650 |
|
7 |
|a Hollywood (Los Angeles, Calif.)
|2 sfit
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655 |
|
7 |
|a History
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Carman, Emily.
|t Independent stardom.
|b First edition
|z 9781477307311
|w (DLC) 2015015797
|w (OCoLC)909538021
|
830 |
|
0 |
|a Texas film and media studies series.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7560/307328
|z Texto completo
|
938 |
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|a Internet Archive
|b INAR
|n independentstard0000carm
|
938 |
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|a EBSCOhost
|b EBSC
|n 1081319
|
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|a YBP Library Services
|b YANK
|n 12428385
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|a 92
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