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Dirty words & filthy pictures : film and the First Amendment /

From the earliest days of cinema, scandalous films such as The Kiss (1896) attracted audiences eager to see provocative images on screen. With controversial content, motion pictures challenged social norms and prevailing laws at the intersection of art and entertainment. Today, the First Amendment p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Geltzer, Jeremy, 1969- (Autor)
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2015.
Edición:First edition.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Dirty words & filthy pictures :  |b film and the First Amendment /  |c Jeremy Geltzer. 
246 3 |a Dirty words and filthy pictures 
250 |a First edition. 
264 1 |a Austin :  |b University of Texas Press,  |c 2015. 
264 4 |c ©2015 
300 |a 1 online resource (xii, 370 pages) :  |b illustrations 
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504 |a Includes bibliographical references (pages 358-359) and index. 
505 0 |a Boxing, porn, and the beginnings of movie censorship -- The rise of salacious cinema -- State regulations emerge -- Mutual and the capacity for evil -- War, nudity, and birth control -- Self-regulation reemerges -- Midnight movies and sanctioned cinema -- Sound enters the debate -- Tension increases between free speech and state censorship -- Threats from abroad and domestic disturbances -- Outlaws and miracles -- State censorship statutes on the defense -- Devil in the details : film and the Fourth and Fifth Amendments -- Dirty words : profanity and the patently offensive -- Filthy pictures : obscenity from nudie cuties to fetish films -- The porno chic : from Danish loops to Deep throat -- Just not here : content regulation through zoning -- Is censorship necessary? -- The politics of profanity. 
588 0 |a Print version record. 
520 |a From the earliest days of cinema, scandalous films such as The Kiss (1896) attracted audiences eager to see provocative images on screen. With controversial content, motion pictures challenged social norms and prevailing laws at the intersection of art and entertainment. Today, the First Amendment protects a wide range of free speech, but this wasn't always the case. For the first fifty years, movies could be censored and banned by city and state officials charged with protecting the moral fabric of their communities. Once film was embraced under the First Amendment by the Supreme Court's Miracle decision in 1952, new problems pushed notions of acceptable content even further. This book explores movies that changed the law and resulted in greater creative freedom for all. Relying on primary sources that include court decisions, contemporary periodicals, state censorship ordinances, and studio production codes, Jeremy Geltzer offers a comprehensive and fascinating history of cinema and free speech, from the earliest films of Thomas Edison to the impact of pornography and the Internet. With incisive case studies of risqué pictures, subversive foreign films, and banned B-movies, he reveals how the legal battles over film content changed long-held interpretations of the Constitution, expanded personal freedoms, and opened a new era of free speech.--Adapted from back cover. 
546 |a English. 
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