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Joyce's allmaziful plurabilities : polyvocal explorations of Finnegans Wake /

This volume focuses exclusively on illuminating the multiplicity of meanings and voices that can be found in the language of James Joyce's Finnigans Wake.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Devlin, Kimberly J., 1957- (Editor ), Smedley, Christine (Editor ), Knowles, Sebastian D. G. (Sebastian David Guy) (Autor de introducción, etc.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Gainesville : University Press of Florida, [2015]
Colección:Florida James Joyce series.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: The prodigal text / Kimberly J. Devlin and Christine Smedley
  • The "gift of seek on site": the subject of prophecy in I.1 / John Terrill
  • "Here comes everybody": HCE and the existence of others in I.2 / Jim LeBlanc
  • Weathering the text: barometric readings of I.3 / Tim Conley
  • Habeas corpus epiphany in I.4 / Mia L. McIver
  • Joyce's common reader: a primer for sensory consciousness in I.5 / Colleen Jaurretche
  • Playful reading: I.6 and game theory / Sean Latham
  • Shem's "strabismal apologia": the split vision of the famine in I.7 / Christine Smedley
  • Fluid figures in "Anna Livia Plurabelle": an ecocritical exploration of I.8 / Margot Norris
  • Moveable types: the character system in "the mime of Mick, Nick and the Maggies" in II.1 / Carol Loeb Shloss
  • "Mutuomorphomutation" Horus and set as principles of the digital and analog in II.2 / Jeffrey Drouin
  • Irish history and modern media: generating courage in II.3 / Enda Duffy
  • Joyce's countergospel in II.4 / David Spurr
  • Salvation, salves, saving, and salvage: the linguistic underpinnings of III.1 / Kimberly J. Devlin
  • Jaunty Jaun's brokerly advice in III.2 / Patrick A. McCarthy
  • The daughter in the father: the revolutionary aspect of III.3 / Sheldon Brivic
  • The porters, polypragmatic paradigms, and pseudoselves in III.4 / Richard Brown
  • "Ricorso": the flaming door of IV / Vicki Mahaffey.