Hollow Men : Writing, Objects, and Public Image in Renaissance Italy.
"Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circu...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Bronx :
Fordham University Press,
2013.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Contents
- Acknowledgments
- Monuments, Imitation, and the Noble Ideal in Early Renaissance Italy
- Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina
- How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity
- From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina
- Print Monuments, Exposure, and Strategies of Concealment
- Banishing the Hollow Man: Print, Clothing, and Aretino�s Emblems of Truth
- Heroes with Damp Brains? Image vs. Text in Printed Portrait-BooksSilenus Strategies: The Failure of Personal Emblems
- Afterword
- Notes
- Works Cited
- Index