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Hollow Men : Writing, Objects, and Public Image in Renaissance Italy.

"Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gaylard, Susan
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bronx : Fordham University Press, 2013.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Gaylard, Susan. 
245 1 0 |a Hollow Men :  |b Writing, Objects, and Public Image in Renaissance Italy. 
260 |a Bronx :  |b Fordham University Press,  |c 2013. 
300 |a 1 online resource (384 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file  |2 rda 
588 0 |a Print version record. 
505 0 |a Contents -- Acknowledgments -- Monuments, Imitation, and the Noble Ideal in Early Renaissance Italy -- Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina -- How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity -- From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina -- Print Monuments, Exposure, and Strategies of Concealment -- Banishing the Hollow Man: Print, Clothing, and Aretinoâ€?s Emblems of Truth 
505 8 |a Heroes with Damp Brains? Image vs. Text in Printed Portrait-BooksSilenus Strategies: The Failure of Personal Emblems -- Afterword -- Notes -- Works Cited -- Index 
504 |a Includes bibliographical references and index. 
520 |a "Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances"--  |c Provided by publisher. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Italian literature  |y To 1400  |x History and criticism. 
650 0 |a Italian literature  |y 15th century  |x History and criticism. 
650 0 |a Italian language  |y Early modern, 1500-1700. 
650 0 |a Art, Renaissance  |z Italy  |x History. 
650 0 |a Masculinity in literature. 
650 0 |a Masculinity in art. 
650 0 |a Renaissance  |z Italy. 
650 6 |a Littérature italienne  |y Jusqu'à 1400  |x Histoire et critique. 
650 6 |a Littérature italienne  |y 15e siècle  |x Histoire et critique. 
650 6 |a Art de la Renaissance  |z Italie  |x Histoire. 
650 6 |a Masculinité dans la littérature. 
650 6 |a Masculinité dans l'art. 
650 6 |a Renaissance  |z Italie. 
650 7 |a SOCIAL SCIENCE  |x Gender Studies.  |2 bisacsh 
650 7 |a Art, Renaissance.  |2 fast  |0 (OCoLC)fst00816786 
650 7 |a Italian literature.  |2 fast  |0 (OCoLC)fst00980660 
650 7 |a Masculinity in art.  |2 fast  |0 (OCoLC)fst01011039 
650 7 |a Masculinity in literature.  |2 fast  |0 (OCoLC)fst01011040 
650 7 |a Renaissance.  |2 fast  |0 (OCoLC)fst01094518 
651 7 |a Italy.  |2 fast  |0 (OCoLC)fst01204565 
648 7 |a To 1700  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Gaylard, Susan.  |t Hollow Men : Writing, Objects, and Public Image in Renaissance Italy.  |d Bronx : Fordham University Press, ©2013  |z 9780823251742 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt13wzvfh  |z Texto completo 
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