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JSTOR_ocn923764163 |
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cr cnu---unuuu |
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151017s2013 xx ob 001 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d JSTOR
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCQ
|d MERUC
|d OCLCQ
|d IOG
|d ZCU
|d U3W
|d STF
|d OCLCF
|d OCLCA
|d EZ9
|d ICG
|d TXC
|d OCLCQ
|d LVT
|d TKN
|d DKC
|d OCLCQ
|d OCLCO
|d OCLCQ
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|a 9780823251759
|q (electronic bk.)
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|a 0823251756
|q (electronic bk.)
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|z 9780823251742
|q (hardback)
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|z 9780823251919
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|a ebc3239816
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|a AU@
|b 000059575761
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|a DEBBG
|b BV044098937
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|a GBVCP
|b 100381302X
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|a (OCoLC)923764163
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|a 22573/ctt132knqw
|b JSTOR
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|a e-it---
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|a PQ4075.G375 2013eb
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|a SOC032000
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|a 850/.9/002
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|a UAMI
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|a Gaylard, Susan.
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|a Hollow Men :
|b Writing, Objects, and Public Image in Renaissance Italy.
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|a Bronx :
|b Fordham University Press,
|c 2013.
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|a 1 online resource (384 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a data file
|2 rda
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|a Print version record.
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|a Contents -- Acknowledgments -- Monuments, Imitation, and the Noble Ideal in Early Renaissance Italy -- Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina -- How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity -- From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina -- Print Monuments, Exposure, and Strategies of Concealment -- Banishing the Hollow Man: Print, Clothing, and Aretino�s Emblems of Truth
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|a Heroes with Damp Brains? Image vs. Text in Printed Portrait-BooksSilenus Strategies: The Failure of Personal Emblems -- Afterword -- Notes -- Works Cited -- Index
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|a Includes bibliographical references and index.
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|a "Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances"--
|c Provided by publisher.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Italian literature
|y To 1400
|x History and criticism.
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650 |
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|a Italian literature
|y 15th century
|x History and criticism.
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650 |
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|a Italian language
|y Early modern, 1500-1700.
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650 |
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|a Art, Renaissance
|z Italy
|x History.
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|a Masculinity in literature.
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650 |
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|a Masculinity in art.
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650 |
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|a Renaissance
|z Italy.
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650 |
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|a Littérature italienne
|y Jusqu'à 1400
|x Histoire et critique.
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650 |
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|a Littérature italienne
|y 15e siècle
|x Histoire et critique.
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650 |
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|a Art de la Renaissance
|z Italie
|x Histoire.
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650 |
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|a Masculinité dans la littérature.
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|a Masculinité dans l'art.
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|a Renaissance
|z Italie.
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650 |
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|a SOCIAL SCIENCE
|x Gender Studies.
|2 bisacsh
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650 |
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|a Art, Renaissance.
|2 fast
|0 (OCoLC)fst00816786
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650 |
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|a Italian literature.
|2 fast
|0 (OCoLC)fst00980660
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650 |
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|a Masculinity in art.
|2 fast
|0 (OCoLC)fst01011039
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650 |
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7 |
|a Masculinity in literature.
|2 fast
|0 (OCoLC)fst01011040
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650 |
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|a Renaissance.
|2 fast
|0 (OCoLC)fst01094518
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651 |
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|a Italy.
|2 fast
|0 (OCoLC)fst01204565
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648 |
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|a To 1700
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Gaylard, Susan.
|t Hollow Men : Writing, Objects, and Public Image in Renaissance Italy.
|d Bronx : Fordham University Press, ©2013
|z 9780823251742
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt13wzvfh
|z Texto completo
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL3239816
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994 |
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|a 92
|b IZTAP
|