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|a 791.43/6522
|2 23
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|a UAMI
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|a Gregory, Mollie.
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|a Stuntwomen :
|b the untold Hollywood story /
|c Mollie Gregory.
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|a Lexington, Kentucky :
|b University Press of Kentucky,
|c [2015]
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|c ©2015
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|a online resource
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|a Screen classics
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|a Includes bibliographical references and index.
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|a Print version record.
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|a They've traded punches in knockdown brawls, crashed biplanes through barns, and raced to the rescue in fast cars. They add suspense and drama to the story, portraying the swimmer stalked by the menacing shark, the heroine dangling twenty feet below a soaring hot air balloon, or the woman leaping nine feet over a wall to escape a dog attack. Only an expert can make such feats of daring look easy, and stuntwomen with the skills to perform -- and survive -- great moments of action in movies have been hitting their mark in Hollywood since the beginning of film. Here, Mollie Gregory presents the first history of stuntwomen in the film industry from the silent era to the twenty-first century. In the early years of motion pictures, women were highly involved in all aspects of film production, but they were marginalized as movies became popular, and more important, profitable. Capable stuntwomen were replaced by men in wigs, and very few worked between the 1930s and 1960s. As late as the 1990s, men wore wigs and women's clothes to double as actresses, and were even "painted down" for some performances, while men and women of color were regularly denied stunt work. For decades, stuntwomen have faced institutional discrimination, unequal pay, and sexual harassment even as they jumped from speeding trains and raced horse-drawn carriages away from burning buildings. Featuring sixty-five interviews, Stuntwomen showcases the absorbing stories and uncommon courage of women who make their living planning and performing action-packed sequences that keep viewers' hearts racing
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|a Introduction : opening shots -- I. The first stuntwomen : 1910-1960 -- 1. The rise and fall of female stunt players in silent movies -- 2. Blackface and wigs : men take over stunts -- 3. Television : more stunt work, if you can get it -- II. Taking on the system and fighting for change : 1960s-1980s -- 4. Stunt performers organize -- 5. Social turmoil brings new opportunities for women and minorities -- 6. The Women's Movement and female action heroes -- 7. Disaster movies and disastrous stunts -- 8. Stunt safety and gender discrimination -- 9. Danger, drugs, and death -- 10. Breaking the code of silence -- 11. Women's new attitudes and ambitions -- 12. Julie Johnson's day in court -- III. New professionals in better times : 1990s-2000s -- 13. High falls -- 14. Stunt fights -- 15. Car stunts -- IV. The digital age : 1995-2010 -- 16. Computer-generated imagery and the future of stunt work -- 17. Controversy and progress for stuntwomen.
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546 |
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|a English.
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Women stunt performers.
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|a Women in the motion picture industry
|z California
|z Los Angeles
|x History.
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650 |
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|a Cascadeuses.
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|a Femmes dans l'industrie cinématographique
|z Californie
|z Los Angeles
|x Histoire.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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|a Women in the motion picture industry
|2 fast
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|a Women stunt performers
|2 fast
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|a California
|z Los Angeles
|2 fast
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|a Kvinnor och filmindustrin, USA.
|2 sfit
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|a Electronic books.
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|a History
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Gregory, Mollie.
|t Stuntwomen
|z 9780813166223
|w (DLC) 2015025673
|w (OCoLC)908071890
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830 |
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0 |
|a Screen classics (Lexington, Ky.)
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt17t74fn
|z Texto completo
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