Cargando…
Parisian music-hall ballet, 1871-1913 /
This pioneering study of Parisian music-hall ballet brings to light a vibrant dance culture that was central to the renewal of French ballet at the turn of the twentieth century. Long thought a lost period for ballet in France, the fin de siècle in fact saw a flourishing of choreographic activity....
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, NY :
University of Rochester Press,
2015.
|
| Colección: | Eastman studies in music ;
v. 123. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn922528517 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||unuuu | ||
| 008 | 150929s2015 nyu ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d OCLCO |d IDEBK |d YDXCP |d CDX |d JSTOR |d OCLCF |d OCLCO |d OCL |d UAB |d OCLCQ |d IOG |d EZ9 |d OCLCQ |d TXC |d INT |d OCLCQ |d LVT |d YOU |d UKMGB |d P@U |d LUN |d CAMBR |d SFB |d K6U |d OCLCO |d UKAHL |d OCLCO |d OCLCQ | ||
| 015 | |a GBB996316 |2 bnb | ||
| 016 | 7 | |a 019406313 |2 Uk | |
| 020 | |a 9781782045687 |q (electronic bk.) | ||
| 020 | |a 1782045686 |q (electronic bk.) | ||
| 020 | |a 1580464424 | ||
| 020 | |a 9781580464420 | ||
| 020 | |z 9781580464420 | ||
| 029 | 1 | |a AU@ |b 000056697343 | |
| 029 | 1 | |a UKMGB |b 019406313 | |
| 035 | |a (OCoLC)922528517 | ||
| 037 | |a 22573/ctt17nb3qk |b JSTOR | ||
| 043 | |a e-fr--- | ||
| 050 | 4 | |a GV1650.P3 |b G88 2015 | |
| 072 | 7 | |a PER |x 011000 |2 bisacsh | |
| 082 | 0 | 4 | |a 792.80944/36109034 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Gutsche-Miller, Sarah, |d 1977- |e author. | |
| 245 | 1 | 0 | |a Parisian music-hall ballet, 1871-1913 / |c Sarah Gutsche-Miller. |
| 264 | 1 | |a Rochester, NY : |b University of Rochester Press, |c 2015. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Eastman studies in music, |x 1071-9989 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 29, 2015). | |
| 505 | 0 | |a Frontcover; Contents; List of Figures; Acknowledgments; Introduction; 1 The Venues and the Shows; 2 Music Halls for Tout-Paris; 3 Creative Artists: Authors, Composers, and Choreographers; 4 The Ballet-Divertissement; 5 Real Pantomime-Ballets: The Choreographic Conventions of 1890s Music-Hall Ballet; 6 Music as Storyteller: The Musical Conventions of 1890s Music-Hall Ballet; 7 As Pleasing to the Ear as to the Eye: A Popular Musical Style; 8 The Stories of Music-Hall Ballet: Romance, Flirtations, and Other Pleasures; 9 A Delight to Behold: Glitter, Glamour, and Girls | |
| 505 | 8 | |a Appendix A: Tables of Ballets Staged by the Folies-Bergère, the Olympia, and the Casino de ParisAppendix B: Synopses of Ballets Staged at the Folies-Bergère, the Olympia, and the Casino de Paris; Notes; Bibliography; Index | |
| 520 | |a This pioneering study of Parisian music-hall ballet brings to light a vibrant dance culture that was central to the renewal of French ballet at the turn of the twentieth century. Long thought a lost period for ballet in France, the fin de siècle in fact saw a flourishing of choreographic activity. More than four hundred ballets were created to great acclaim, half of which were full-scale pantomime-ballets, with entertaining narratives, catchy music, titillating choreography, lavish sets and costumes, appealing corps girls, and star ballerinas. Most of these productions were staged not at the elite Paris Opéra but in the city's trendiest commercial venues: music halls. Between 1871 and 1913, the Folies-Bergère, the Olympia, and the Casino de Paris brought together the era's leading authors of light theatre and comic opera to produce a flurry of imaginative ballets that combined the conventional structures of high art with the popular idioms of mass entertainment. They also drew unprecedented numbers of people who had never before attended ballet. 'Parisian Music-Hall Ballet, 1871-1913' rediscovers this repertoire and culture, supplying a missing chapter in the history of French dance. Sarah Gutsche-Miller is assistant professor of musicology at the University of Toronto. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Ballet |z France |z Paris |x History |y 19th century. | |
| 650 | 0 | |a Ballet |z France |z Paris |x History |y 20th century. | |
| 650 | 0 | |a Ballets |z France |z Paris |x History and criticism |y 19th century. | |
| 650 | 0 | |a Ballets |z France |z Paris |x History and criticism |y 20th century. | |
| 650 | 6 | |a Ballet |z France |z Paris |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Ballet |z France |z Paris |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Ballet. |2 fast |0 (OCoLC)fst00826017 | |
| 650 | 7 | |a Ballets. |2 fast |0 (OCoLC)fst00826066 | |
| 651 | 7 | |a France |z Paris. |2 fast |0 (OCoLC)fst01205283 | |
| 648 | 7 | |a 1800-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 830 | 0 | |a Eastman studies in music ; |v v. 123. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt17mvhxs |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH36174451 | ||
| 938 | |a Coutts Information Services |b COUT |n 32798082 | ||
| 938 | |a EBSCOhost |b EBSC |n 1072410 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis32798082 | ||
| 938 | |a Project MUSE |b MUSE |n muse83700 | ||
| 938 | |a YBP Library Services |b YANK |n 12622524 | ||
| 994 | |a 92 |b IZTAP | ||