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Phantom limbs : on musical bodies /
Music invents, constructs, and makes bodies. These are not only technical bodies-those prostheses and artefacts that instruments of music are-but also bodies living a strange life, bodies as strange as a hand with more than five fingers, feet that breathe like lungs, or long-distance touching withou...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
New York :
Fordham University Press,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Szendy, Peter. | |
| 240 | 1 | 0 | |a Membres fantômes des corps musiciens. |l English |
| 245 | 1 | 0 | |a Phantom limbs : |b on musical bodies / |c Peter Szendy ; translated by Will Bishop. |
| 264 | 1 | |a New York : |b Fordham University Press, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references. | ||
| 520 | 8 | |a Music invents, constructs, and makes bodies. These are not only technical bodies-those prostheses and artefacts that instruments of music are-but also bodies living a strange life, bodies as strange as a hand with more than five fingers, feet that breathe like lungs, or long-distance touching without contact. In this book, organology, that self-respecting discipline that inventories sound-producing bodies, is questioned for its anthropocentric presuppositions. Beyond the rational descriptions where it inscribes instrumentalists, it is a matter of thinking the forms of hybridation and organ transplants for which the general rhetoric of musical bodies makes space. | |
| 505 | 0 | |a Cover; Contents; Training; Chapter 1 Interpreting Bodies; Chapter 2 Effictions; Chapter 3 Organologics (1): The Erasure of Bodies; Chapter 4 Touch-ups, or The Return of Bodies; Chapter 5 Idiotisms, or The Dialect of Bodies; Chapter 6 Monk, a Legend; Chapter 7 Traces of Fingers; Chapter 8 Digital Rhetoric; Chapter 9 Ablations and Grafts (Too Many Fingers); Chapter 10 Romantic Fingers (System of Touch); Chapter 11 Feet; Chapter 12 Joyful Tropiques (Evolution, Revolutions); Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up); Chapter 14 Organologics (2): Autophony. | |
| 505 | 8 | |a Chapter 15 Genesis (1): Ocular Harpsichord, Organ of FlavorsChapter 16 Telepathy; Chapter 17 Scruples (Clones and Stand-ins); Chapter 18 Conducting (Seen from the Back); Chapter 19 Genesis (2): Fantasia, or "Plasmaticity"; Chapter 20 Touching from Afar; Chapter 21 Organologics (3): Areality; Chapter 22 Bodies Electric; Chapter 23 Mass Formations; P.S.; Notes. | |
| 546 | |a Translated from the French. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Human body in music. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Corps humain dans la musique. | |
| 650 | 7 | |a PHILOSOPHY |x General. |2 bisacsh | |
| 650 | 7 | |a Human body in music |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 700 | 1 | |a Bishop, Will, |e translator. | |
| 776 | 0 | 8 | |i Print version: |z 9780823267057 |z 0823267059 |w (DLC) 2015023328 |w (OCoLC)919001400 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt175x2mc |z Texto completo |
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