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JSTOR_ocn921933698 |
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|a 939262547
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|a 1066422045
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|a 9781452944241
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|a PN1995.9.S26
|b S55 2015eb
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|a 791.43/615
|2 23
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|a UAMI
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|a Simultaneous worlds :
|b global science fiction cinema /
|c [editors] Jennifer Feeley and Sarah Ann Wells.
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|a Minneapolis :
|b University of Minnesota Press,
|c 2015.
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|c Ã2015
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
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|a Filmography
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|a Includes bibliographical references and index.
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|a Includes filmography.
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|a Introduction / Jennifer Feeley and Sarah Ann Wells -- Intermediality and new media economies. Scan lines: how cyborgs feel / Thomas Lamarre -- What is estranged in science fiction animation? / Istvan Csicsery-Ronay, Jr -- Famous for fifteen minutes: permutations of science fiction short film / Pawe Frelik -- Forms of journey and archive: remaking science fiction in contemporary artist-filmmakers' projects / Jihoon Kim -- Traveling science fiction: translation, adaptation, and interpretation. Media heterotopias and science fiction: transnational workflows and transgalactic spaces in digitally composited ecosystems / Hye Jean Chung -- F.P. 1 and the language of a global science fiction cinema / J.P. Telotte -- Enthiran, the robot: Sujatha, science fiction, and tamil cinema / Swarnavel Eswaran Pillai -- Spatial and temporal alternative modernities in the global south. Polytemporality in Argentine science fiction film: a critique of the homogenous time of historicism and modernity / Joanna Page -- Virtual immigrants: transfigured bodies and transnational spaces in science fiction cinema / Everett Hamner -- Walking dead in avana: Juan of the dead and the zombie film genre / Emily A. Maguire -- Techno-capitalism and techno-desires: the gendered affect of post-cyborgs. Who does the feeling when there's no body there?: critical feminism meets cyborg affect in Oshii Mamoru's Innocence / Sharalyn Orbaugh -- The invention of romance: Park Chan-Wook's I'm a cyborg, but that's okay / Steve Choe -- A disenchanted fantastic: the pathos of objects in Hirokazu Kore-Eda's Air doll / Michelle Cho -- National, international, intergalactic: socialist and post-socialist science fiction cinema. Alien commodities in Soviet science fiction cinema: Aelita, Solaris, and Kin-dza-dza! / Jillian Porter -- Parodies of realism at the margins of science fiction: Jang Jun-Hwan's Save the green planet and Sin Sang-ok's Pulgasari / Travis workman -- Media and messages: blurred visions of nation and science in Death ray on a coral island / Nathaniel Isaacson.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Science fiction films
|x History and criticism.
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650 |
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|a Films de science-fiction
|x Histoire et critique.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Media Studies.
|2 bisacsh
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|a Science fiction films
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a Feeley, Jennifer,
|d 1976-
|e editor.
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700 |
1 |
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|a Wells, Sarah Ann,
|d 1979-
|e editor.
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776 |
0 |
8 |
|i Print version:
|t Simultaneous worlds
|z 9780816693177
|w (DLC) 2014032699
|w (OCoLC)890807800
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.5749/j.ctt175x36n
|z Texto completo
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