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The politics and poetics of cinematic realism /
Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisen...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
[2015]
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| Colección: | Columbia themes in philosophy, social criticism, and the arts.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kappelhoff, Hermann, |e author. | |
| 245 | 1 | 4 | |a The politics and poetics of cinematic realism / |c Hermann Kappelhoff. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2015] | |
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Table of Contents -- Preface and Acknowledgments -- 1. Poetics and Politics -- 2. Before the War: The Avant-garde, Film, and the Utopia of Art -- 3. After the War: Cinema as the Site of Historical Consciousness -- 4. After '68: The Politics of Form -- 5. Beyond Classical Hollywood Cinema -- 6. A New Sensitivity -- Notes -- Bibliography -- Index. | |
| 520 | |a Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of #x93;thinking in images" to his analysis of films and incorporates the approaches of Jacques Rancière and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience. | ||
| 546 | |a In English. | ||
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| 650 | 0 | |a Motion pictures |x Political aspects. | |
| 650 | 0 | |a Politics in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 6 | |a Politique au cinéma. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Cinéma |x Aspect politique. | |
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| 776 | 0 | 8 | |i Print version: |a Kappelhoff, Hermann. |t Politics and poetics of cinematic realism. |d New York : Columbia University Press, ©2015 |h xiv, 257 pages |k Columbia themes in philosophy, social criticism, and the arts. |z 9780231170734 |
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