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Krzysztof Kieślowski : interviews /

"Krzysztof Kieslowski's untimely death came at the height of his career, after his Three Colors trilogy of films garnered international acclaim (and an Oscar nomination), and he had been proclaimed Europe's most important filmmaker by many critics. Born in 1941, he was only fifty-four...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kieślowski, Krzysztof, 1941-1996
Otros Autores: Bernard, Renata (Editor ), Woodward, Steven, 1964- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, [2016]
Colección:Conversations with filmmakers series.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kieślowski, Krzysztof,  |d 1941-1996. 
245 1 0 |a Krzysztof Kieślowski :  |b interviews /  |c edited by Renata Bernard and Steven Woodward. 
264 1 |a Jackson :  |b University Press of Mississippi,  |c [2016] 
264 4 |c ©2016 
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490 1 |a Conversations with filmmakers series 
520 |a "Krzysztof Kieslowski's untimely death came at the height of his career, after his Three Colors trilogy of films garnered international acclaim (and an Oscar nomination), and he had been proclaimed Europe's most important filmmaker by many critics. Born in 1941, he was only fifty-four years old when he died. Kieslowski himself tried to tell the story of his life and career in the 1993 book Kieslowski on Kieslowski. This collection, by contrast, reveals the shifting voice of a filmmaker who was initially optimistic about his social and cultural role, then felt himself buffeted by the turbulent politics and events of the People's Republic of Poland. As described in the chronology in this book, he found himself subject to the "economic censorship" of post-Communist filmmaking. How Kieslowski responded at each moment of his life, what he tried to achieve with each of his films, is finely detailed in thirty-five selections. These pieces bring together his thesis from the famous Lodz film school, a manifesto written just before the dark days of martial law in Poland, diary entries from the first time he was working outside Poland, and numerous rare interviews from Polish-, French-, and English-language sources"--  |c Provided by publisher 
504 |a Includes bibliographical references and index. 
504 |a Includes filmography. 
588 0 |a Online resource; title from digital title page (viewed on March 29, 2016). 
505 0 |a Cover -- Title Page -- Copyright -- Contents -- Introduction -- Chronology -- Filmography -- The Dramaturgy of the Real -- 16 or 35? -- A Film about the Working Class -- Interview Not for Print -- Conversation with the Laureate -- Interview with Krzysztof Kieślowski -- First Meetings with Krzysztof Kieślowski -- In Depth Rather than Breadth -- About Me, about You, about Everyone -- Without Me -- On A Short Film about Killing -- The Key Thing Is to Make a Believable Film -- Weapon of Despair -- Interview with Krzysztof Kieślowski -- A Normal Moment -- Diary: 1989-1990 (1) -- Diary: 1989-1990 (2) -- Diary: 1989-1990 (3) -- Express Meeting with Kieślowski -- From Weronica to Véronique -- Tree That Is -- Beautiful Slogans and Mystery -- The Key to Sensitivity -- Behind the Curtain -- Blue Lollipop -- No End to the Enigma -- Glowing in the Dark -- Kieślowski: The End -- Colors of Life Interest Filmmaker -- Auteur of His Own Destruction -- Past, Present ... Future? -- The Same Questions -- The Inner Life Is the Only Thing That Interests Me -- Fragments of the Meeting at the Ósmego Dnia Theatre -- Transcript of a Conversation for Polish Television -- We Slip from God's Hand -- Key Resources -- Index. 
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