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Forgetting differences : tragedy, historiography, and the French Wars of Religion /
Examines the impact of the royal politics of amnesia on tragedy and national historiography in France, 1560-1630. By juxtaposing representations of the French civil war past as they appear (and frequently overlap) in historiography and tragedy from 1550-1630, Andrea Frisch tracks changes in the ways...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2015]
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| Colección: | Edinburgh critical studies in Renaissance culture.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 1 | 0 | |a Forgetting differences : |b tragedy, historiography, and the French Wars of Religion / |c Andrea Frisch. |
| 246 | 3 | |a Tragedy, historiography, and the French Wars of Religion | |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
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| 490 | 1 | |a Edinburgh critical studies in Renaissance culture | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed January 12, 2016). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Learning to Forget -- Clemency, Pardon, and Oubliance -- History without Passion: National Historiography in the Age of Oubliance -- Tragedy as History: From the Guisiade to Garnier -- From Emotion to Affect. | |
| 520 | |a Examines the impact of the royal politics of amnesia on tragedy and national historiography in France, 1560-1630. By juxtaposing representations of the French civil war past as they appear (and frequently overlap) in historiography and tragedy from 1550-1630, Andrea Frisch tracks changes in the ways in which history and tragedy sought to 'move' readers throughout the period of the wars and in their wake. The book shows that a shift from a politically (and martially) active reading of the past to a primarily affective one follows the imperative, so clear and urgent at the turn of the seventeenth century, to put an end to violent conflict. The emotions that neoclassical tragedy and absolutist historiography sought to elicit were intended above all to be shared, and thus a medium via which political and religious differences could be downplayed or forgotten. The book aims to illuminate some of the ways in which the experience of the wars of religion, as registered in tragedy and historiography, contributed to a restructuring of the ever-vital relationship between emotion and politics, and thereby to historicize the very concept of 'esmouvoir'. Key Features. Confronts historiography and tragedy in the era of the French Wars of Religion Addresses the themes of amnesty, pardon, memory, and forgetting in the context of civil war Provides both close readings and a broad argument about the impact of the monarchical politics of reconciliation on conceptions of how history and tragedy should 'move' their audiences Treats multiple French authors including AndrÃ♭ de Nesmond; Henri-Lancelot Voisin de la Popelini÷re; Pierre Matthieu; Jean de la Taille; Robert Garnier | ||
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| 650 | 0 | |a Religion and politics |z France |x History |y 16th century. | |
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| 650 | 6 | |a Religion et politique |z France |x Histoire |y 16e siècle. | |
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| 776 | 0 | 8 | |i Print version: |a Frisch, Andrea. |t Forgetting differences. |d Edinburgh : Edinburgh University Press, [2015] |z 0748694390 |z 9780748694396 |w (DLC) 2015413393 |w (OCoLC)910905933 |
| 830 | 0 | |a Edinburgh critical studies in Renaissance culture. | |
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