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Post-1990 documentary : reconfiguring independence /

Presents in-depth case studies focusing on major aspects of post-1990 documentary practices and styles In a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Deprez, Camille, 1977- (Editor ), Pernin, Judith (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2015]
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; PART I History and Spaces of Resistance ; Chapter 1 Post-unification (East) German Documentary and the Contradictions of Identity; Chapter 2 No Going Back: Continuity and Change in Australian Documentary ; Chapter 3 A Space in Between: The Legacy of the Activist Documentary Film in India ; Chapter 4 Languages, Speech and Voice: The Heritage of Jean Rouch and Pier Paolo Pasolini in Convention: Black Wall/White Holes; Chapter 5 Chris Marker: Interactive Screen and Memory ; PART II The Personal Experience.
  • Chapter 6 The Survivor-Perpetrator Encounter and the Truth Archive in Rithy Panh's Documentaries Chapter 7 Contesting Consensual Memory: The Work of Remembering in Chilean Autobiographical Documentaries; Chapter 8 'We All Invented Our Own Algeria':1 Habiba Djahnine's Letter to My Sister as Memory-Narrative; Chapter 9 From the Ashes: The Fall of Apartheid and the Rise of the Lone Documentary Filmmaker in South Africa; Chapter 10 A Personal Vision of the Hong Kong Cityscape in Anson Mak's Essayistic Documentary Films One Way Street on a Turntable and On the Edge of a Floating City, We Sing.
  • PART III Displacement, Participation and Spectatorship Chapter 11 Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace ; Chapter 12 Material Traces of Lebanon: A Documentary Aesthetics of Feeling in the Art Gallery ; Chapter 13 Autonomous Navigation? Multiplicity and Self-reflexive Aesthetics in Sergio Basso's Documentary Film Giallo a Milano and Web Documentary Made in Chinatown; Chapter 14 Fukushima and the Shifting Conventions of Documentary: From Broadcast to Social Media Netizenship.
  • Chapter 15 Independent Documentaries and Online Uses in China: From Cinephilia to Activism Conclusion; Notes on the Contributors ; Index.