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|a English, Elizabeth,
|e author.
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|a Lesbian modernism :
|b censorship, sexuality and genre fiction /
|c Elizabeth English.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2015]
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|c ©2015
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|a 1 online resource (ix, 220 pages)
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|a text
|b txt
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|a computer
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|a online resource
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|a data file
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|a Edinburgh critical studies in modernist culture
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|a Includes bibliographical references (pages 194-214) and index.
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|a Introduction: Foul minds and foul mouths: censorship and a turn to genre fiction -- Part I: Fantasy. Part I introduction -- 1. 'The book is a sort of touch-stone to other people': sexology, the invert and desire in Katharine Burdekin's utopian fiction -- 2. 'Ghost desire': the lesbian occult and Natalie Clifford Barney's The one who is legion or A.D.'s after-life -- Part II: History. Part II introduction -- 3. 'Spiritual progenitors' and the historical biographies of Margaret Goldsmith and Mary Gordon -- 4. 'I dislike the correct thing in clothes': Virginia Woolf's Orlando: a biography and the cross-dressing historical romance -- Part III: Crime. Part III introduction -- 5. 'Murder is a queer crime': the lesbian criminal and female communities in detective fiction -- 6. 'Lizzie Borden took an axe': repetition and heterosexual crime in Gertrude Stein's detective fiction -- Coda.
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|a "The first book-length study to explore the importance of genre for the body of literature we call lesbian modernism. Elizabeth English explores the aesthetic dilemma prompted by the censorship of Radclyffe Hall's novel The Well of Loneliness in 1928. Faced with legal and financial reprisals, women writers were forced to question how they might represent lesbian identity and desire. Modernist experimentation has often been seen as a response to this problem, but English breaks new ground by arguing that popular genre fictions offered a creative strategy against the threat of detection and punishment. Her study examines a range of responses to this dilemma by offering illuminating close readings of fantasy, crime, and historical fictions written by both mainstream and modernist authors. English introduces hitherto neglected women writers from diverse backgrounds and draws on archival material examined here for the first time to remap the topography of 1920s-1940s lesbian literature and to reevaluate the definition of lesbian modernism."--
|c Provided by publisher
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|a Elizabeth English is a Senior Lecturer in English in the Department of Humanities, School of Education and Social Policy, Cardiff Metropolitan University.
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|a English.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a English fiction
|x Women authors
|x History and criticism.
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|a American fiction
|x Women authors
|x History and criticism.
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|a Lesbianism in literature.
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|a Modernism (Literature)
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|a Lesbianisme dans la littérature.
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|a Modernisme (Littérature)
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|a LITERARY CRITICISM
|x European
|x General.
|2 bisacsh
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a American fiction
|x Women authors.
|2 fast
|0 (OCoLC)fst00807099
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|a English fiction
|x Women authors.
|2 fast
|0 (OCoLC)fst00910866
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|a Lesbianism in literature.
|2 fast
|0 (OCoLC)fst00996536
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|a Modernism (Literature)
|2 fast
|0 (OCoLC)fst01024455
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655 |
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|a Literary criticism.
|2 fast
|0 (OCoLC)fst01986215
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Literary criticism.
|2 lcgft
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|a Critiques littéraires.
|2 rvmgf
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|i Print version:
|a English, Elizabeth.
|t Lesbian modernism
|z 9780748693733
|w (DLC) 2014501689
|w (OCoLC)899215272
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830 |
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|a Edinburgh critical studies in modernist culture.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctt14brxz9
|z Texto completo
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|a ProQuest Ebook Central
|b EBLB
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|b EBSC
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