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The vogue for Russia : modernism and the unseen in Britain, 1900-1930 /
In what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and 'the Russian soul' - prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals - attach themselves to the ex...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh, Scotland :
Edinburgh University Press,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Maclean, Caroline, |e author. | |
| 245 | 1 | 4 | |a The vogue for Russia : |b modernism and the unseen in Britain, 1900-1930 / |c Caroline Maclean. |
| 264 | 1 | |a Edinburgh, Scotland : |b Edinburgh University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (viii, 205 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 172-196) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a In what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and 'the Russian soul' - prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals - attach themselves to the existing British fashion for theosophy, vitalism and occultism? In answering these questions, this study is the first to explore the overlap between Slavophilia and mysticism between 1900 and 1930 in Britain. The main Russian characters that emerge are Fedor Dostoevsky, Boris Anrep, Vasily Kandinsky, Petr Ouspensky and Sergei Eisenstein. The British modernists include Roger Fry, Virginia Woolf, Mary Butts, John Middleton Murry, Michael Sadleir and Katherine Mansfield. Key Features:. Draws on unpublished archive material as well as on periodicals, exhibition catalogues, reviews, diaries, fiction and the visual arts Addresses the omission in modernist studies of the importance of Russian aesthetics and Russian discourses of the occult to British modernism Challenges the dominant Western European and transatlantic focus in modernist studies and provides an original contribution to our understanding of new global modernisms Combines literary studies with aesthetics, modernist history, the history of modern esotericism, film history, periodical studies and science studies | ||
| 505 | 0 | |a Intro -- Half-title Page -- Dedication -- Title Page -- Copyright -- Contents -- Note on Transliteration -- Acknowledgements -- Introduction -- 1 'Splinters and Mosaics': Bloomsbury Aesthetics Reconsidered -- 2 Russian Aesthetics and British Periodicals: Kandinsky, Sadleir and Rhythm -- 3 Voices of Stones: Mary Butts and Petr Ouspensky's Fourth Dimension -- 4 'That Magic Force that is Montage': Eisenstein's Filmic Fourth Dimension, Borderline and H.D. -- Epilogue -- Bibliography -- Index | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 650 | 0 | |a Modernism (Aesthetics) |z Great Britain |x History |y 20th century. | |
| 650 | 0 | |a Aesthetics, Russian |y 20th century. | |
| 651 | 0 | |a Great Britain |x Civilization |x Foreign influences. | |
| 651 | 0 | |a Russia |x Civilization |y 20th century. | |
| 650 | 6 | |a Modernisme (Esthétique) |z Grande-Bretagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Esthétique russe |y 20e siècle. | |
| 651 | 6 | |a Grande-Bretagne |x Civilisation |x Influence étrangère. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Aesthetics, Russian |2 fast | |
| 650 | 7 | |a Civilization |2 fast | |
| 650 | 7 | |a Civilization |x Foreign influences |2 fast | |
| 650 | 7 | |a Modernism (Aesthetics) |2 fast | |
| 651 | 7 | |a Great Britain |2 fast | |
| 651 | 7 | |a Russia |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Maclean, Caroline. |t Vogue for Russia |z 9780748647293 |w (DLC) 2014495538 |w (OCoLC)900911002 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt14brx9g |z Texto completo |
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