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US independent film after 1989 : possible films /
A study of US independent films marginalized in and by the rise of 'indie' culture. In contemporary film and popular culture the terms 'independent' and 'indie' hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keyno...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2015]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a US independent film after 1989 : |b possible films / |c edited by Claire Perkins and Constantine Verevis. |
| 246 | 3 | 0 | |a U.S. independent film after 1989 |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (vi, 230 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction: |t Possible films / |r Claire Perkins and Constantine Verevis -- |t All the real girls (2003) : indie love / |r Claire Perkins -- |t Bubble (2005) : the network society / |r Radha O'Meara -- |t Buffalo '66 (1998) : the radical conventionality of an indie happy ending / |r James MacDowell -- |t The exploding girl (2009) : the everyday and the occluded gaze / |r Laura Rascaroli -- |t Frozen river (2008): mobility and uncertain boundaries / |r Mark Berrettini -- |t Jesus' son (1999) : 'I knew every raindrop by its name' / |r Constantine Verevis -- |t Keane (2004) : cold comfort camera / |r Jaime Christley -- |t Kicking and screaming (1995) : the significance of slightness / |r Chad R. Newsom -- |t Laurel Canyon (2002) : lacuscular cinema / |r Jodi Brooks -- |t Living in oblivion (1995) : how mistaking Chad for Brad could not overcome the commercial limitations of the self-reflexive cycle / |r John Berra -- |t Lovely & amazing (2001) : naked chick flick / |r Linda Badley -- |t Old joy (2006) : resisting masculinity / |r E. Dawn Hall -- |t Pariah (2011) : coming out in the middle / |r Patricia White -- |t Primer (2004) : a primer in first-time indie filmmaking / |r Geoff King -- |t Rachel getting married (2008) : personal cinema and the smart-chick film / |r Hilary Radner -- |t Secretary (2002) : purple rose, indie masochism, bruised romance / |r Elena Gorfinkel -- |t Waitress (2007) : tragedy and authorship in an indie 'meta-movie' / |r Steven Rawle -- |t The weight of water (2000) : a spectacular, if transformative failure / |r R. Barton Palmer -- |t Winter's bone (2010) : modest deals and film adaptation / |r Noel King -- |t You can count on me (2000) : living in dependence / |r Jesse Fox Mayshark. |
| 588 | 0 | |a Print version record. | |
| 520 | |a A study of US independent films marginalized in and by the rise of 'indie' culture. In contemporary film and popular culture the terms 'independent' and 'indie' hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keynote of critical film discourse, indie denotes specific textual, industrial and reception practices that have been enthusiastically cultivated across the last decade of the twentieth century and the first of the twenty-first. Underpinning this cultural category is a canon of highly visible films and filmmakers whose 'maverick' personas and self-aware stylisation have successfully sold indie as a quality, alternative worldview-figures like Quentin Tarantino, Joel and Ethan Coen, Kevin Smith and Wes Anderson, and films like Slacker, Memento, Happiness and Juno. US Independent Film After 1989: Possible Films reframes this dominant indie canon by attending to a group of films that have not been so fully subsumed by its critical and promotional rhetoric. In 20 close analyses, a diverse range of leading film scholars and commentators allow the contours of the indie sensibility to emerge in and through their individual experiences of a single film that has not received the sustained critical acclaim of more popular titles. With particular representation from female directors-who are almost wholly excluded from the dominant indie canon-these idiosyncratic films are shown to demonstrate central tenets of indie scholarship and simultaneously emphasise the classifying processes that obscure them. Key Features: Provides 20 textual studies of under-evaluated US indie film Develops an expanded understanding of US indie film culture Identifies the contribution of a community of US indie filmmakers and actors, with a particular emphasis on women practitioners | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Independent films |z United States |x History and criticism. | |
| 650 | 0 | |a Independent filmmakers |z United States. | |
| 650 | 0 | |a Motion picture industry |z United States |x History |y 20th century. | |
| 650 | 6 | |a Films indépendants |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Cinéastes indépendants |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Independent filmmakers. |2 fast |0 (OCoLC)fst00968926 | |
| 650 | 7 | |a Independent films. |2 fast |0 (OCoLC)fst01738681 | |
| 650 | 7 | |a Motion picture industry. |2 fast |0 (OCoLC)fst01027150 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Perkins, Claire |q (Claire Elizabeth), |e editor. | |
| 700 | 1 | |a Verevis, Constantine, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t US independent film after 1989 |z 9780748692446 |w (OCoLC)891125122 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt14brwdj |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6995427 | ||
| 938 | |a EBSCOhost |b EBSC |n 1203133 | ||
| 938 | |a YBP Library Services |b YANK |n 12581828 | ||
| 994 | |a 92 |b IZTAP | ||