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|a 916446418
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|a 9781609383527
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|a UAMI
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|a Beal, Wesley.
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|a Networks of modernism :
|b reorganizing American narrative /
|c by Wesley Beal.
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|a Iowa City :
|b University of Iowa Press,
|c 2015.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a Includes bibliographical references and index.
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|a Introduction: Networks and the cultural logic of modernism -- In lieu of a manifesto: Randolph Bourne's "trans-national America" as an origin of network aesthetics -- Network form as network politics in Jean Toomer's Cane -- Public spaces and distributed settings in Anita Loos's Gentlemen prefer blondes -- Schisms: form and content, space and history in John Dos Passos's U.S.A. trilogy -- Nathanael West's crowds and the closure of modern network aesthetics.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a American literature
|y 20th century
|x History and criticism.
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|a Modernism (Literature)
|z United States.
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|a Littérature américaine
|y 20e siècle
|x Histoire et critique.
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|a Modernisme (Littérature)
|z États-Unis.
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650 |
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a American literature
|2 fast
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|a Modernism (Literature)
|2 fast
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|a United States
|2 fast
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
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|i Print version:
|a Beal, Wesley.
|t Networks of modernism.
|d Iowa City : University of Iowa Press, 2015
|w (DLC) 2015004899
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt20q1sd2
|z Texto completo
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