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Farocki/Godard : film as theory /
"This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Vo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2015]
|
| Colección: | Film culture in transition.
Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; v. 25. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 082 | 0 | 4 | |a 791.430233092 |2 23 |
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| 100 | 1 | |a Pantenburg, Volker, |d 1973- | |
| 240 | 1 | 0 | |a Film als Theorie. |l English |
| 245 | 1 | 0 | |a Farocki/Godard : |b film as theory / |c Volker Pantenburg. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c [2015] | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film culture in transition, |x 2213-7041 | |
| 490 | 1 | |a IKKM books ; |v volume 25 | |
| 588 | 0 | |a Print version record. | |
| 520 | |a "This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create 'film as theory'"--Back cover | ||
| 505 | 0 | |a Cover -- Contents -- Preface to the English Edition -- Introduction -- Two Image Researchers -- 1. Le film qui pense -- Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush-Film and Painting -- Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm-Notes on the Essay Film -- 4. Cut-Interlude in the Editing Room | |
| 505 | 8 | |a What an Editing Room is: InterfaceMontage, toujours: JLG/JLG -- 5. Taking pictures-Photography and Film -- Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and the Inscription of War -- 6. Two or Three Ways of Speaking with the Hands -- Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Expressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion -- Bibliography -- Acknowledgments -- Illustration Credits -- Index of Film Titles -- Index of Names | |
| 546 | |a English. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 506 | 0 | |a Open Access |5 EbpS | |
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Farocki, Harun. |
| 600 | 1 | 0 | |a Godard, Jean-Luc, |d 1930-2022. |
| 600 | 1 | 1 | |a Farocki, Harun |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Godard, Jean-Luc, |d 1930- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Farocki, Harun |2 fast |
| 600 | 1 | 7 | |a Godard, Jean-Luc, |d 1930-2022 |2 fast |
| 600 | 1 | 7 | |a Farocki, Harun |d 1944-2014 |2 gnd |
| 600 | 1 | 7 | |a Godard, Jean-Luc |d 1930-2022 |2 gnd |
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Motion picture producers and directors. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma. | |
| 650 | 7 | |a filmmakers. |2 aat | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a Film, TV and radio. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 650 | 7 | |a Filmästhetik |2 gnd | |
| 653 | |a essay film. | ||
| 653 | |a harun farocki. | ||
| 653 | |a film theory. | ||
| 653 | |a jean-luc godard. | ||
| 830 | 0 | |a Film culture in transition. | |
| 830 | 0 | |a Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; |v v. 25. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt16d69tz |z Texto completo |
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