Cargando…
Staging Ghana : artistry and nationalism in state dance ensembles /
The Ghana Dance Ensemble takes Ghana's national culture and interprets it in performance using authentic dance forms adapted for local or foreign audiences. Often, says Paul Schauert, the aims of the ensemble and the aims of the individual performers work in opposition. Schauert discusses the h...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
[2015]
|
| Colección: | Ethnomusicology multimedia.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn915941078 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 150806s2015 inu ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d EBLCP |d P@U |d YDXCP |d IDEBK |d JSTOR |d NLGGC |d CDX |d DEBSZ |d MERUC |d LOA |d UAB |d K6U |d OCLCQ |d OCLCO |d MOR |d CCO |d PIFAG |d FVL |d OCLCA |d ZCU |d COO |d OCLCQ |d IGB |d IOG |d OCLCO |d AGLDB |d U3W |d EZ9 |d D6H |d OCLCA |d STF |d VNS |d OCLCQ |d VTS |d ICG |d VT2 |d OCLCQ |d OCLCO |d WYU |d LVT |d YOU |d S9I |d TKN |d DKC |d OCLCQ |d RECBK |d VLY |d AJS |d OCLCO |d UKAHL |d OCLCQ |d YWS |d OCLCQ |d OCLCO | ||
| 019 | |a 916529534 |a 1162282289 |a 1259119300 | ||
| 020 | |a 9780253017499 |q (electronic bk.) | ||
| 020 | |a 0253017491 |q (electronic bk.) | ||
| 020 | |z 9780253017321 | ||
| 020 | |z 0253017327 | ||
| 020 | |z 9780253017420 | ||
| 020 | |z 0253017424 | ||
| 024 | 8 | |a ebc2122783 | |
| 029 | 1 | |a AU@ |b 000056112696 | |
| 029 | 1 | |a DEBBG |b BV044051670 | |
| 029 | 1 | |a DEBSZ |b 445091355 | |
| 029 | 1 | |a DEBSZ |b 453333184 | |
| 035 | |a (OCoLC)915941078 |z (OCoLC)916529534 |z (OCoLC)1162282289 |z (OCoLC)1259119300 | ||
| 037 | |a 819210 |b MIL | ||
| 037 | |a 22573/ctt16m26nm |b JSTOR | ||
| 043 | |a f-gh--- | ||
| 050 | 4 | |a GV1713.G4 |b S33 2015eb | |
| 072 | 7 | |a GAM |x 009000 |2 bisacsh | |
| 072 | 7 | |a GAM |x 011000 |2 bisacsh | |
| 072 | 7 | |a PER003000 |2 bisacsh | |
| 072 | 7 | |a MUS015000 |2 bisacsh | |
| 082 | 0 | 4 | |a 793.3/19667 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Schauert, Paul W., |e author. | |
| 245 | 1 | 0 | |a Staging Ghana : |b artistry and nationalism in state dance ensembles / |c Paul Schauert. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Ethnomusicology multimedia | |
| 505 | 0 | 0 | |t Introduction: managing nationalism, crossing crocodiles, and staging ethnography -- |t Beyond ethnicity, beyond Ghana : staging and embodying African personality -- |t Dancing essences : sensational staging and the cosmopolitan politics of authentication -- |t Soldiers of culture : discipline, artistry, and alternative education -- |t Speak to the wind : staging the state and performing indirection -- |t "We are the originals" : a tale of two troupes and the birth of contemporary dance in Ghana -- |t Politics of personality : creativity, competition, and self-expression within a unitary matrix -- |t Conclusion: managing self, state, and nation. |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a The Ghana Dance Ensemble takes Ghana's national culture and interprets it in performance using authentic dance forms adapted for local or foreign audiences. Often, says Paul Schauert, the aims of the ensemble and the aims of the individual performers work in opposition. Schauert discusses the history of the dance troupe and its role in Ghana's post-independence nation-building strategy and illustrates how the nation's culture makes its way onto the stage. He argues that as dancers negotiate the terrain of what is or is not authentic, they also find ways to express their personal aspirations, discovering, within the framework of nationalism or collective identity, that there is considerable room to reform national ideals through individual virtuosity. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 610 | 2 | 0 | |a Ghana Dance Ensemble. |
| 610 | 2 | 7 | |a Ghana Dance Ensemble |2 fast |
| 650 | 0 | |a Folk dancing |z Ghana. | |
| 650 | 0 | |a Dance companies |z Ghana. | |
| 650 | 0 | |a Nationalism and the arts |z Ghana. | |
| 651 | 0 | |a Ghana |x Cultural policy. | |
| 650 | 6 | |a Danse folklorique |z Ghāna. | |
| 650 | 6 | |a Compagnies de danse |z Ghāna. | |
| 650 | 6 | |a Nationalisme et arts |z Ghāna. | |
| 650 | 7 | |a GAMES |x Reference. |2 bisacsh | |
| 650 | 7 | |a GAMES |x Travel Games. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Dance |x General. |2 bisacsh | |
| 650 | 7 | |a Cultural policy |2 fast | |
| 650 | 7 | |a Dance companies |2 fast | |
| 650 | 7 | |a Folk dancing |2 fast | |
| 650 | 7 | |a Nationalism and the arts |2 fast | |
| 651 | 7 | |a Ghana |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Schauert, Paul W. |t Staging Ghana |z 9780253017321 |w (DLC) 2015016736 |w (OCoLC)896601186 |
| 830 | 0 | |a Ethnomusicology multimedia. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt16kdvwg |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38341833 | ||
| 938 | |a Coutts Information Services |b COUT |n 31538727 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL2122783 | ||
| 938 | |a EBSCOhost |b EBSC |n 1048772 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis31538727 | ||
| 938 | |a Project MUSE |b MUSE |n muse48934 | ||
| 938 | |a Recorded Books, LLC |b RECE |n rbeEB00777043 | ||
| 938 | |a YBP Library Services |b YANK |n 12463529 | ||
| 994 | |a 92 |b IZTAP | ||