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|a 918259657
|a 957302751
|a 1164786252
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|a 9780472120741
|q (electronic bk.)
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|a 0472120743
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|z 9780472072415
|q (hardback)
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|z 9780472052417
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|z 0472072412
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|a 10.3998/mpub.7573327
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|a (OCoLC)915697150
|z (OCoLC)918259657
|z (OCoLC)957302751
|z (OCoLC)1164786252
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|a 22573/ctt1d73phg
|b JSTOR
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|a PN1072
|b .M38 2015
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|a UAMI
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|a McSweeney, Joyelle,
|d 1976-
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|a The necropastoral :
|b poetry, media, occults /
|c Joyelle McSweeney.
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|a Ann Arbor :
|b University of Michigan Press,
|c 2014.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Poets on poetry
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|a Includes bibliographical references.
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|a "In The Necropastoral: Poetry, Media, Occults, poet Joyelle McSweeney presents an ecopoetics and a theory of Art that reflect such biological principles as degradation, proliferation, contamination, and decay. In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts "strange meetings" of authors, texts, and artworks across the boundaries of genre, period, and nation; and examines such epiphenomena as translation, anachronism, and violence. Through readings of artists as diverse as Wilfred Owen, Andy Warhol, Harryette Mullen, Roberto Bolano, Aime Cesaire, and Georges Bataille, The Necropastoral shows by what strategies art persists amid lethal conditions as a spectacular, uncanny force"--
|c Provided by publisher
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|a Print version record.
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|a ""Contents""; ""Part 1: The Necropastoral; On Being Posthumous; Bug Time""; ""Strange Meetings in the Necropastoral: Owen, Hawkey, Césaire""; ""On Being Posthumous: Necropastoral Economies in Jack Smith, Andy Warhol, and Yi Sang""; ""Bug Time: Chitinous Necropastoral Hypertime against the Future""; ""Part 2: Leslie Scalapino; CAConrad and Chelsey Minnis; Kim Hyesoon and Don Mee Choi; Harryette Mullen; Hannah Weiner; Translation, the Filthiest Medium of All""; ""Publicity and Obscurity: On Leslie Scalapinoâ#x80;#x99;s Dahliaâ#x80;#x99;s Iris""; ""Art-trash: On CAConrad and Chelsey Minnis""
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|a ""Another Litter: On the Black Arts of Kim Hyesoon and Don Mee Choi""""Muse & Drudge & Artâ#x80;#x99;s Ampersand""; ""Disabled Texts and the Threat of Hannah Weiner""; ""Translation, the Slavish Mold, the Filthiest Medium Alive: With Special Reference to Matthew Barney, Andy Warhol, and Divine""; ""Part 3: Eye Wound Media""; ""Eye Wound Media""; ""Part 4: The Future of Poetry""; ""The â#x80;#x9C;Futureâ#x80;#x9D; of â#x80;#x9C;Poetryâ#x80;#x9D;""; ""Expenditure: Or, why Iâ#x80;#x99;m going to die trying""; ""The Mask of Art""; ""On Influence""; ""Loser Occult""
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Poetics.
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650 |
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|a Experimental poetry
|y 21st century
|x History and criticism.
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|a Poetry, Modern
|y 21st century
|x History and criticism.
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|a Poetry, Modern
|y 20th century
|x History and criticism.
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|a Poétique.
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|a Poésie expérimentale
|y 21e siècle
|x Histoire et critique.
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|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
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|a Experimental poetry.
|2 fast
|0 (OCoLC)fst00918461
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650 |
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|a Poetics.
|2 fast
|0 (OCoLC)fst01067682
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|a Poetry, Modern.
|2 fast
|0 (OCoLC)fst01067769
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650 |
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|a Lyrik
|2 gnd
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|a Dekadenz
|2 gnd
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|a Medialisierung
|2 gnd
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|a 1900-2099
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
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|i Print version:
|a McSweeney, Joyelle, 1976-
|t Necropastoral.
|d Ann Arbor : University of Michigan Press, 2014
|w (DLC) 2014030652
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830 |
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|a Poets on poetry.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.3998/mpub.7573327
|z Texto completo
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|a BATCHLOAD
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|a ProQuest Ebook Central
|b EBLB
|n EBL5124435
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|a EBSCOhost
|b EBSC
|n 1527125
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis32674587
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|a Project MUSE
|b MUSE
|n muse37619
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|a University of Michigan press
|b UOMP
|n 10.3998/mpub.7573327
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|a YBP Library Services
|b YANK
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