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Birth of an industry : blackface minstrelsy and the rise of American animation /
Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Sammond, Nicholas, |d 1960- |e author. | |
| 245 | 1 | 0 | |a Birth of an industry : |b blackface minstrelsy and the rise of American animation / |c Nicholas Sammond. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (xv, 382 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 386 | |a Film teachers |2 lcdgt | ||
| 386 | |a University and college faculty members |2 lcdgt | ||
| 386 | |a Ontarians |2 lcdgt | ||
| 386 | |a Men |2 lcdgt | ||
| 504 | |a Includes bibliographical references (pages 351-364) and index. | ||
| 505 | 0 | |a Introduction: biting the invisible hand -- Performance -- Labor -- Space -- Race -- Conclusion: the "new" blackface. | |
| 520 | |a Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help illuminate the central place of race in American cultural and social life. | ||
| 588 | 0 | |a Online resource; title from PDF title page (JSTOR, viewed September 2, 2020). | |
| 546 | |a English. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2022. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2022. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Animated films |z United States |x History and criticism. | |
| 650 | 0 | |a Animation (Cinematography) |z United States |x History |y 20th century. | |
| 650 | 0 | |a Blackface entertainers |z United States |x History |y 20th century. | |
| 650 | 0 | |a Minstrel shows |z United States |x History |y 20th century. | |
| 650 | 6 | |a Animation (Cinéma) |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Blackface (Artistes du spectacle) |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Spectacles de ménestrels (Théâtre américain) |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Animated films |2 fast | |
| 650 | 7 | |a Animation (Cinematography) |2 fast | |
| 650 | 7 | |a Blackface entertainers |2 fast | |
| 650 | 7 | |a Minstrel shows |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 650 | 7 | |a Zeichentrickfilm |2 gnd | |
| 650 | 7 | |a Animationsfilm |2 gnd | |
| 650 | 7 | |a Minstrel show |2 gnd | |
| 650 | 7 | |a Rassismus |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 7 | |a Svarta i filmen. |2 sao | |
| 650 | 7 | |a Animerad film, USA. |2 sfit | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Minstrel shows |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Minstrel shows. |2 lcgft | |
| 776 | 0 | 8 | |i Print version: |a Sammond, Nicholas, 1960- |t Birth of an industry. |d Durham : Duke University Press, 2015 |z 9780822358404 |w (DLC) 2015003368 |w (OCoLC)902986779 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv123x7jb |z Texto completo |
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