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Real men don't sing : crooning in American culture /

The crooner Rudy Vale's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Valle and other crooners reflected the gender fluidity of late-1920s popular culture, their...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McCracken, Allison, 1968- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2015.
Colección:Refiguring American music.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a McCracken, Allison,  |d 1968-  |e author. 
245 1 0 |a Real men don't sing :  |b crooning in American culture /  |c Allison McCracken. 
264 1 |a Durham :  |b Duke University Press,  |c 2015. 
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300 |a 1 online resource (xiv, 429 pages) :  |b illustrations 
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490 1 |a Refiguring American music 
504 |a Includes bibliographical references (pages 375-409) and index. 
505 0 |a Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond). 
588 0 |a Print version record. 
520 |a The crooner Rudy Vale's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Valle and other crooners reflected the gender fluidity of late-1920s popular culture, their challenges to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them, as gender, and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through, its development, as the microphone sound most associated with white recording artists, band singers, and radio stars She charts early crooners' rise and fall between 1925 and l934, contrasting Rudy Valle with Brig Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Valle, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculinity of youthful romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture. 
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650 0 |a Crooning. 
650 0 |a Male singers  |z United States. 
650 0 |a Popular music  |z United States  |y 1921-1930  |x History and criticism. 
650 0 |a Popular music  |z United States  |y 1931-1940  |x History and criticism. 
650 6 |a Chanteurs masculins  |z États-Unis. 
650 6 |a Musique populaire  |z États-Unis  |y 1921-1930  |x Histoire et critique. 
650 6 |a Musique populaire  |z États-Unis  |y 1931-1940  |x Histoire et critique. 
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