Cargando…
Thresholds of listening : sound, technics, space /
This collection of essays addresses recent and historical changes in the ways in which listening has been conceived as a cultural agency and act. It argues that listening, by emancipating from an essentially implied, passive-receiving, and subjected position, has become an explicit factor in culture...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press,
2015.
|
| Edición: | First edition. |
| Colección: | JSTOR EBA.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ii 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn914229950 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||unuuu | ||
| 008 | 150721s2015 nyu ob 001 0 eng d | ||
| 010 | |a 2015009539 | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d JSTOR |d IDEBK |d YDXCP |d P@U |d CDX |d OCLCF |d OCLCQ |d MERUC |d IDK |d VLB |d OCLCQ |d IOG |d U3W |d EZ9 |d TXC |d VT2 |d AU@ |d OCLCQ |d WYU |d LVT |d DEGRU |d OCLCO |d DGITA |d UKAHL |d OCLCO |d OCLCQ |d SFB |d OCLCQ |d YWS |d OCLCQ |d OCLCO | ||
| 019 | |a 914289674 |a 1055395523 |a 1066658051 | ||
| 020 | |a 9780823264407 |q (electronic bk.) | ||
| 020 | |a 0823264408 |q (electronic bk.) | ||
| 020 | |a 9780823264414 |q (electronic bk.) | ||
| 020 | |a 0823264416 |q (electronic bk.) | ||
| 020 | |a 0823264378 | ||
| 020 | |a 9780823264377 | ||
| 020 | |a 0823264386 | ||
| 020 | |a 9780823264384 | ||
| 020 | |z 9780823264377 | ||
| 020 | |z 9780823264384 |q (pbk. ; |q alk. paper) | ||
| 029 | 1 | |a AU@ |b 000056949914 | |
| 029 | 1 | |a AU@ |b 000066761155 | |
| 029 | 1 | |a DKDLA |b 820120-katalog:999914179405765 | |
| 035 | |a (OCoLC)914229950 |z (OCoLC)914289674 |z (OCoLC)1055395523 |z (OCoLC)1066658051 | ||
| 037 | |a 22573/ctt1658brd |b JSTOR | ||
| 050 | 4 | |a B105.L54 |b T47 2015 | |
| 072 | 7 | |a PHI |x 010000 |2 bisacsh | |
| 082 | 0 | 4 | |a 128/.4 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Thresholds of listening : |b sound, technics, space / |c edited by Sander van Maas. |
| 250 | |a First edition. | ||
| 264 | 1 | |a New York : |b Fordham University Press, |c 2015. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction / |r Sander van Maas -- |t The auditory re-turn (The point of listening) / |r Peter Szendy -- |t "Dear listener ... ": music and the invention of subjectivity / |r Lawrence Kramer -- |t Scenes of devastation: interpellation, finite and infinite / |r Sander van Maas -- |t Positive feedback: listening behind hearing / |r David Wills -- |t "Antennas have long since invaded our brains": listening to the "other music" in Friedrich Kittler / |r Melle Jan Kromhout -- |t Movement at the boundaries of listening, composition, and performance / |r Jason Freeman -- |t The biopolitics of noise: Kafka's "Der Bau" / |r Anthony Curtis Adler -- |t Torture as an instrument of music / |r John T. Hamilton -- |t Stop it, I like it! Embodiment, masochism, and listening for traumatic pleasure / |r Robert Sholl -- |t Sounds of belonging: accented writing in Jean Rhys's Good morning, midnight / |r Liedeke Plate -- |t Back to the beat: silent orality in Young Hae Chang Heavy Industries / |r Kiene Brillenburg Wurth -- |t The discovery of slowness in music / |r Alexander Rehding -- |t Negotiating ecstasy: electronic dance music and the temporary autonomous zone / |r Andrew Shenton. |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed July 27, 2015). | |
| 520 | |a This collection of essays addresses recent and historical changes in the ways in which listening has been conceived as a cultural agency and act. It argues that listening, by emancipating from an essentially implied, passive-receiving, and subjected position, has become an explicit factor in culture and the object of proactive collective and individual politics. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Listening (Philosophy) | |
| 650 | 6 | |a Écoute (Philosophie) | |
| 650 | 7 | |a PHILOSOPHY |x Movements |x Humanism. |2 bisacsh | |
| 650 | 7 | |a Listening (Philosophy) |2 fast | |
| 653 | |a address. | ||
| 653 | |a aurality'. | ||
| 653 | |a hearing technology. | ||
| 653 | |a liminal. | ||
| 653 | |a listening. | ||
| 653 | |a senses. | ||
| 653 | |a tropes. | ||
| 700 | 1 | |a Maas, Sander van, |d 1968- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Thresholds of listening. |b First edition. |d New York, NY : Fordham University Press, 2015 |z 9780823264377 |w (DLC) 2015009539 |w (OCoLC)905759228 |
| 830 | 0 | |a JSTOR EBA. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1657v1b |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH31335201 | ||
| 938 | |a Digitalia Publishing |b DGIT |n DIGFORDUP0666 | ||
| 938 | |a De Gruyter |b DEGR |n 9780823264407 | ||
| 938 | |a Coutts Information Services |b COUT |n 32107333 | ||
| 938 | |a EBSCOhost |b EBSC |n 1030211 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis32107333 | ||
| 938 | |a Project MUSE |b MUSE |n muse43518 | ||
| 938 | |a YBP Library Services |b YANK |n 12538000 | ||
| 938 | |a YBP Library Services |b YANK |n 12539518 | ||
| 938 | |a YBP Library Services |b YANK |n 12686329 | ||
| 994 | |a 92 |b IZTAP | ||