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The storm at sea : political aesthetics in the time of Shakespeare /
"Ranging from Leonardo to Hobbes, The Storm at Sea: Political Aesthetics in the Time of Shakespeare argues that it is through an engagement with the problem of aesthetic autonomy that the early modern work most profoundly explores its relation to matters of law, state, sovereignty and political...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press,
[2015]
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| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Pye, Christopher, |d 1953- |e author. | |
| 245 | 1 | 4 | |a The storm at sea : |b political aesthetics in the time of Shakespeare / |c Christopher Pye. |
| 250 | |a First edition. | ||
| 264 | 1 | |a New York : |b Fordham University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Vendor-supplied metadata. | |
| 520 | |a "Ranging from Leonardo to Hobbes, The Storm at Sea: Political Aesthetics in the Time of Shakespeare argues that it is through an engagement with the problem of aesthetic autonomy that the early modern work most profoundly explores its relation to matters of law, state, sovereignty and political subjectivity"-- |c Provided by publisher | ||
| 520 | |a "The Storm at Sea: Political Aesthetics in the Time of Shakespeare counters a tradition of cultural analysis that judges considerations of aesthetic autonomy in the early modern context to be either anachronistic or an index of political disengagement. Pye argues that for a post-theocratic era in which the mise-en-forme of the social domain itself was for the first time at stake, the problem of the aesthetic lay at the very core of the political; it is precisely through its engagement with the question of aesthetic autonomy that early modern works most profoundly explore their relation to matters of law, state, sovereignty, and political subjectivity. Pye establishes the significance of a "creationist" political aesthetic-at once a discrete historical category and a phenomenon that troubles our familiar forms of historical accounting-and suggests that the fate of such an aesthetic is intimately bound up with the emergence of modern conceptions of the political sphere. The Storm at Sea moves historically from Leonardo da Vinci to Thomas Hobbes; it focuses on Shakespeare and English drama, with chapters on Hamlet, Othello, A Winter's Tale, and The Tempest, as well as sustained readings of As You Like It, King Lear, Thomas Kyd's Spanish Tragedy, and Christopher Marlowe's Doctor Faustus. Engaging political thinkers such as Carl Schmitt, Giorgio Agamben, Claude Lefort, and Roberto Esposito, The Storm at Sea will be of interest to political theorists as well as to students of literary and visual theory"-- |c Provided by publisher | ||
| 505 | 0 | |a Half Title; Title Page; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Half Title; Introduction; 1. Early Modern Political Aesthetics; 2. Leonardo's Hand: Mimesis, Sexuality, and the Polis; 3. Shakespeare Distracted: Political Aesthetics from Spanish Tragedy to Hamlet; 4. "To throw out our eyes for brave Othello"; 5. Aesthetics and Absolutism in The Winter's Tale; 6. The Beating Mind: The Tempest in History; 7. Hobbes and the Hydrophobes: The Fate of the Aesthetic in the Time of the State; Notes; Bibliography; Index | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Political and social views. |
| 600 | 1 | 1 | |a Shakespeare, William, |d 1564-1616 |x Political and social views. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616. |2 fast |0 (OCoLC)fst00029048 |
| 650 | 0 | |a Politics and literature |z Great Britain |x History. | |
| 650 | 0 | |a Aesthetics |x Political aspects. | |
| 650 | 6 | |a Politique et littérature |z Grande-Bretagne |x Histoire. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Aesthetics |x Political aspects. |2 fast |0 (OCoLC)fst00798712 | |
| 650 | 7 | |a Political and social views. |2 fast |0 (OCoLC)fst01353986 | |
| 650 | 7 | |a Politics and literature. |2 fast |0 (OCoLC)fst01069960 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 653 | |a Early Modernism. | ||
| 653 | |a Leonardo da Vinci. | ||
| 653 | |a Renaissance Art. | ||
| 653 | |a Renaissance Drama. | ||
| 653 | |a Shakespeare. | ||
| 653 | |a Sovereignty. | ||
| 653 | |a Thomas Hobbes. | ||
| 653 | |a aesthetics. | ||
| 653 | |a literary theory. | ||
| 653 | |a political theory. | ||
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Pye, Christopher, 1953- |t Storm at sea. |b First edition. |w (DLC) 2014040670 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt130h9h7 |z Texto completo |
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