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Film on the Faultline.
Film has always played a crucial role in the imagination of disaster. The earthquake, especially, transforms our understanding of the limits and possibilities of cinema, as well as of life itself. After major quakes in countries as dissimilar as Japan, Chile, Iran and New Zealand, film-makers have r...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half Title; Title; Copyright; Contents; Introduction: Film Theory as Seismic Research; Chapter 1: A Tale of Two Cities: San Francisco 1906 and Earthquake in Adelaide; Chapter 2: The Wrath of Heaven: The Great Kantō Earthquake and Japanese Cinema; Chapter 3: Earthquakes in Film: Exploring Visualization Strategies; Chapter 4: The Virtual of Disaster: Science, Politics and Tectonics in Roland Emmerich's 2012; Chapter 5: Aftershock: The Cultural Politics of Commercializing Traumatic Memory; Chapter 6: The Just Distance: Abbas Kiarostami and the Aftermath of Devastation.
- Chapter 16: "What I Really Saw Could Not Possibly Be Reflected in a Movie": Abbas Kiarostami on Life and Nothing More ... Chapter 17: Tres Semanas después/Life Goes On; Notes on Contributors; Back Cover.