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Real Objects in Unreal Situations : Modern Art in Fiction Films.
Real Objects in Unreal Situations is a lucid account of a much-neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the artworks, Susan Felleman offers...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Felleman, Susan. | |
| 245 | 1 | 0 | |a Real Objects in Unreal Situations : |b Modern Art in Fiction Films. |
| 260 | |a Bristol : |b Intellect, |c 2014. | ||
| 300 | |a 1 online resource (234 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction: The Work of Art in the Space of Its Material Dissolution; Chapter 1: Doubly Immortal: The Song of Songs (1933); Chapter 2: Suspect Modernism: Venus vor Gericht (1941) andMuerte de un ciclista (1955); Chapter 3: The World Gone Wiggy: The Trouble with Harry (1955); Chapter 4: Art for the Apocalypse: The Damned (1961); Chapter 5: Object Choices: An Unmarried Woman (1978) andThe Player (1992); Chapter 6: Subjects, Objects, and Erotic Upheaval at Pemberley:Pride & Prejudice (2005); Bibliography; Index. | |
| 500 | |a Back Cover. | ||
| 520 | |a Real Objects in Unreal Situations is a lucid account of a much-neglected subject in art and cinema studies: the material significance of the art object incorporated into the fiction film. By examining the historical, political, and personal realities that situate the artworks, Susan Felleman offers an incisive account of how they operate not as mere objects but as powerful players within the films, thereby exceeding the narrative function of props, copies, pastiches, or reproductions. The book consists of a series of interconnected case studies of movies, including The Trouble with Harry, An U. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Art in motion pictures. | |
| 650 | 0 | |a Art and motion pictures. | |
| 650 | 6 | |a Art au cinéma. | |
| 650 | 6 | |a Art et cinéma. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Art and motion pictures. |2 fast |0 (OCoLC)fst00815412 | |
| 650 | 7 | |a Art in motion pictures. |2 fast |0 (OCoLC)fst00815568 | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING / Power Resources / General |2 bisacsh | |
| 776 | 0 | 8 | |i Print version: |a Felleman, Susan. |t Real Objects in Unreal Situations : Modern Art in Fiction Films. |d Bristol : Intellect, ©2014 |z 9781783202508 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvspc |z Texto completo |
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