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Inclusion in New Danish Cinema : Sexuality and Transnational Belonging.
Often recognized as one of the happiest countries in the world, Denmark, like its Scandinavian neighbours, is known for its progressive culture, which is also reflected in its national cinema. It is not surprising, then, that Danish film boasts as many successful women film directors as men and the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Shriver-Rice, Meryl. | |
| 245 | 1 | 0 | |a Inclusion in New Danish Cinema : |b Sexuality and Transnational Belonging. |
| 260 | |a Bristol : |b Intellect, |c 2015. | ||
| 300 | |a 1 online resource (202 pages) | ||
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| 505 | 0 | |a Cover; Half-Title; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgements; Introduction; Chapter 1: New Danish Cinema: An Overview; Current Trends in Scholarship; Remarkable Storytelling = Result of Remarkable Production Strategy; Marrying Digital Aesthetic with Ethical Boundaries and Cultural Values; Chapter 2: Dogme Beginnings; Dogme Rules: Style and Genre; Ethics and Morality in Dogme and New Danish Cinema; Reality Aesthetic and the 'Always On' Culture; Chapter 3: Practitioner's Agency: Women Directors; Chapter 4: Heterosexual Relationships. | |
| 505 | 8 | |a Triangular Desire and Dialectical IdentityFamily and Transnational Belonging; Gender and Agency; Chapter 5: Queer Relationships; Queer Subjectivity and New Danish Cinema; Performing Masculinity and Femininity; Stereotypes and Alternative Family Structures; Individualized Desire; Chapter 6: Adapting National Identity; Adapting the National: 'Truth' and Story in New Danish Cinema; Trauma, Existential Crisis and Blame; Adapting the National: The 'Hollywoodization' of Nordic Art Film; Chapter 7: In a Better World: Empathy and Ego; Transnational Belonging and Digital Communication. | |
| 505 | 8 | |a Solitude and Self-ReflectionEmpathy and Ego; Bibliography; Back Cover. | |
| 520 | |a Often recognized as one of the happiest countries in the world, Denmark, like its Scandinavian neighbours, is known for its progressive culture, which is also reflected in its national cinema. It is not surprising, then, that Danish film boasts as many successful women film directors as men and the highest number of women directors of any national cinema, uses scripts that are often co-written by both the director and the screenwriter, and produces among the highest numbers of queer films directed by and starring women. Inclusion in New Danish Cinema offers the film industry and the general pu. | ||
| 504 | |a Includes bibliographical references. | ||
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| 650 | 0 | |a Motion pictures |z Denmark |x History |y 21st century. | |
| 650 | 6 | |a Cinéma |z Danemark |x Histoire |y 21e siècle. | |
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| 651 | 7 | |a Denmark. |2 fast |0 (OCoLC)fst01204558 | |
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| 776 | 0 | 8 | |i Print version: |a Shriver-Rice, Meryl. |t Inclusion in New Danish Cinema : Sexuality and Transnational Belonging. |d Bristol : Intellect, ©2015 |z 9781783201938 |
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