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Torture porn in the wake of 9/11 : horror, exploitation, and the cinema of sensation /

Saw, Hostel, The Devil's Rejects: this wave of horror movies has been classed under the disparaging label "torture porn." Since David Edelstein coined the term for a New York magazine article a few years after 9/11, many critics have speculated that these movies simply reflect iconic...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kerner, Aaron, 1972- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, New Jersey ; London : Rutgers University Press, [2015]
Colección:War culture.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kerner, Aaron,  |d 1972-  |e author. 
245 1 0 |a Torture porn in the wake of 9/11 :  |b horror, exploitation, and the cinema of sensation /  |c Aaron Michael Kerner. 
246 3 |a Torture porn in the wake of nine eleven 
264 1 |a New Brunswick, New Jersey ;  |a London :  |b Rutgers University Press,  |c [2015] 
300 |a 1 online resource (x, 253 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a War culture 
504 |a Includes bibliographical references (pages 233-242) and index. 
504 |a Includes filmography. 
505 0 |a Torture porn: from 9/11 to the multiplex -- The torture porn genre : key tropes -- Some antecedents : sadism, exploitation, and (neo- )slashers -- The Saw franchise : videogames, and the sadistic pro(an)tagonist Jigsaw -- The Hostel films : consuming bodies -- "I think we took a wrong turn . . ." -- Soft-core, and beyond torture porn. 
520 |a Saw, Hostel, The Devil's Rejects: this wave of horror movies has been classed under the disparaging label "torture porn." Since David Edelstein coined the term for a New York magazine article a few years after 9/11, many critics have speculated that these movies simply reflect iconic images, anxieties, and sadistic fantasies that have emerged from the War on Terror. In this timely new study, Aaron Kerner challenges that interpretation, arguing that "torture porn" must be understood in a much broader context, as part of a phenomenon that spans multiple media genres and is rooted in a long tradition of American violence. Torture Porn in the Wake of 9/11 tackles a series of tough philosophical, historical, and aesthetic questions: What does it mean to call a film "sadistic," and how has this term been used to shut down critical debate? In what sense does torture porn respond to current events, and in what ways does it draw from much older tropes? How has torture porn been influenced by earlier horror film cycles, from slasher movies to J-horror? And in what ways has the torture porn aesthetic gone mainstream, popping up in everything from the television thriller Dexter to the reality show Hell's Kitchen? Reflecting a deep knowledge and appreciation for the genre, Torture Porn in the Wake of 9/11 is sure to resonate with horror fans. Yet Kerner's arguments should also strike a chord in anyone with an interest in the history of American violence and its current and future ramifications for the War on Terror.--Provided by publisher 
588 0 |a Print version record. 
546 |a English. 
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590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
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650 0 |a Horror films  |z United States  |x History and criticism. 
650 0 |a Torture in motion pictures. 
650 0 |a Sadism in motion pictures. 
650 6 |a Films d'horreur  |z États-Unis  |x Histoire et critique. 
650 6 |a Torture au cinéma. 
650 6 |a Sadisme au cinéma. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Horror films.  |2 fast  |0 (OCoLC)fst00960370 
650 7 |a Sadism in motion pictures.  |2 fast  |0 (OCoLC)fst01103305 
650 7 |a Torture in motion pictures.  |2 fast  |0 (OCoLC)fst01904954 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Kerner, Aaron, 1972-  |t Torture porn in the wake of 9/11  |z 9780813564036  |w (DLC) 2014030637  |w (OCoLC)890462618 
830 0 |a War culture. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1647cp0  |z Texto completo 
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