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Studying Indian cinema /
This book is traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various i...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leighton Buzzard, England :
Auteur,
2015.
|
| Colección: | Studying films.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ahmed, Omar, |e author. | |
| 245 | 1 | 0 | |a Studying Indian cinema / |c Omar Ahmed. |
| 264 | 1 | |a Leighton Buzzard, England : |b Auteur, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (284 pages) : |b illustrations | ||
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| 490 | 1 | |a Studying films | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (ebrary, viewed May 26, 2015). | |
| 520 | |a This book is traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!). | ||
| 505 | 0 | 0 | |g Machine generated contents note: |g ch. One |t Popular Narratives -- |g ch. Two |t Neo-realist Aesthetics -- |g ch. Three |t Poetic Fatalism -- |g ch. Four |t Trauma of Partition -- |g ch. Five |t Feminist Concerns -- |g ch. Six |t Erotic Spectacle -- |g ch. Seven |t Parallel Voices -- |g ch. Eight |t Angry Young Men -- |g ch. Nine |t Reality of the Dispossessed -- |g ch. Ten |t Representing Terrorism -- |g ch. Eleven |t Mumbai Noir -- |g ch. Twelve |t Once Upon a Time in India -- |g ch. Thirteen |t Revolutionaries -- |g ch. Fourteen |t Elements Trilogy. |
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| 650 | 0 | |a Motion pictures |z India. | |
| 650 | 0 | |a Motion picture industry |z India. | |
| 650 | 6 | |a Cinéma |z Inde. | |
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| 776 | 0 | 8 | |i Print version: |a Ahmed, Omar. |t Studying Indian cinema. |d Leighton Buzzard, England : Auteur, ©2015 |h 284 pages |z 9781906733674 |
| 830 | 0 | |a Studying films. | |
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