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Alternative projections : experimental film in Los Angeles 1945-1980 /
Alternative Projections: Experimental Film in Los Angeles, 1945-1980 is a groundbreaking anthology that features papers from a conference and series of film screenings on postwar avant-garde filmmaking in Los Angeles sponsored by Filmforum, the Getty Foundation, and the University of Southern Califo...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Barnet, Herts [England] :
John Libbey Publishing,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Contents; Acknowledgements; Foreword; Introduction; PART I: HISTORICAL MATERIALS; Introduction; Chapter 1 Distribution Center for Experimental Films; Chapter 2 Personal Chronicle: The Making of an Experimental Film; Chapter 3 A Letter from the West Coast; Chapter 4 Amateur vs. Professional; Chapter 5 Personal State Meant; Chapter 6 A Statement; Chapter 7 Are Movies Junk; Chapter 8 Los Angeles Film Festival; Chapter 9 Seeing Is Believing; Chapter 10 Underground Movies Rise to the Surface; Chapter 11 Students Reflect Future of Cinema; Chapter 12 Woman as Ethnographic Filmmaker.
- Chapter 13 Mouse Enigma: Auto-History Of A Film PersonPART II: SCHOLARSHIP; Introduction; Chapter 14 Scarlet Woman on Film: Inauguration of the Pleasure Dome and The Wormwood Star: Kenneth Anger, Curtis Harrington, Marjorie Cameron, and Los Angeles Alternative Film and Culture in the Early 1950s; Chapter 15 Against Transparency: Jonas Mekas, Vernon Zimmerman, and the West Coast Contribution to the New American Cinema; Chapter 16 Vicarious Vicario: Restocking John Vicario's Forgotten Shoppers Market (1963).
- Chapter 17 Raymond Rohauer and the Society of Cinema Arts (1948-1962): Giving the Devil His DueChapter 18 For Love and/or Money: Exhibiting Avant-Garde Film in Los Angeles 1960-1980; Chapter 19 Kent Mackenzie's The Exiles: Reinventing the Real of Cinema; Chapter 20 Taylor Mead, a Faggot in Venice Beach in 1961; Chapter 21 Ed Ruscha's Moving Pictures; Chapter 22 Asco's Super-8 Cinema and the Specter of Muralism; Chapter 23 Inner-city Symphony: Water Ritual #1: An Urban Rite of Purification.
- Chapter 24 Not Just a Day Job: Experimental Filmmakers and the Special Effects Industry in the 1970s and 1980sChapter 25 Storm, Stress, and Structure: The Collaborative Cinema of Roberta Friedman and Grahame Weinbren; Chapter 26 Nun Notes and Deviant Longings; Chapter 27 Currents Direct and Alternating: Water and Power and Other Works by Pat O'Neill; PART III: SCREENINGS; Chapter 28 Alternative Projections Screenings Series; Program Notes; Notes on the Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z.