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Working with rock art : recording, presenting and understanding rock art using Indigenous knowledge /
This volume contains cutting edge contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using Indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consider each of these areas in a theoretic...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Johannesburg, South Africa :
Wits University Press,
2012.
|
| Colección: | RARI monograph ;
4. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Working with rock art : |b recording, presenting and understanding rock art using Indigenous knowledge / |c edited by Benjamin W. Smith, Knut Helskog, David Morris. |
| 264 | 1 | |a Johannesburg, South Africa : |b Wits University Press, |c 2012. | |
| 300 | |a 1 online resource (332 pages) : |b illustrations, maps | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Rock Art Research Institute monograph series ; |v 4 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a This volume contains cutting edge contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using Indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consider each of these areas in a theoretical rather than a technical fashion, and it therefore makes a significant contribution to the discipline. The volume aims to promote the sharing of new experiences between leading researchers in the field. While the geographic focus is truly global, there is a dominant north-south axis with strong representation from researchers in southern Africa and northern Europe, two leading centres for new approaches in rock art research. Working with Rock Art opens up a long overdue dialogue about shared experiences between these two centres, and a number of the chapters are the first published results of new collaborative research--Internet. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title; Title; Copyright; Contents; Foreword; Acknowledgements; Contributors; PART 1: ON DOCUMENTING ROCK ART; Chapter 1. Rock art management: Juggling with paradoxes and compromises, and how to live with them; The problem; What do we manage when managing rock art?; The relationship between research and management; Case: Tamgaly, Kazakhstan; Interaction: Documentation, research and management; The problem revisited; References; Chapter 2. Expressing intangibles: A recording experience with /Xam rock engravings; Introduction; Ways of recording rock engravings; Narrative recording. | |
| 505 | 8 | |a Rock art and visual anthropologyPossibilities and limitations; Acknowledgements; References; Chapter 3. Aspects of documentation for conservation purposes exemplified by rock art; Introduction; Part 1: Initial remarks on conservation; Part 2: Some aspects of rock art conservation; References; Chapter 4. The position of rock art: A consideration of how GIS can contribute to the understanding of the age and authorship of rock art; Introduction; Large-scale analysis of horizontal patterning; Small-scale analysis of vertical patterning; Discussion; Conclusion; References. | |
| 505 | 8 | |a Chapter 5. Rock art in context: Theoretical aspects of pragmatic data collectionsContext and basic human needs; The context of rock art; The Brandberg/Daureb case study; Conclusion; Notes; References; Chapter 6. Representing southern African San rock art: A move towards digitisation; Introduction; A history of southern African San rock art representation; The 'scientific' approach; The socially negotiated approach; Storm Shelter, Maclear District Southeastern South Africa: A case study; Is digital the answer?; Discussion and conclusion; Notes; References. | |
| 505 | 8 | |a Chapter 7. The routine of documentationIntroduction; The many sides of documentation; Conclusion; Acknowledgements; References; Chapter 8. Prehistoric explorations in rock: Investigations beneath and beyond engraved surfaces; Introduction; Inward and outward perspectives; Involvements in rock; The depths of rock; The empirical aspect; Conclusion; References; PART 2: ON UNDERSTANDING ROCK ART USING INDIGENOUS KNOWLEDGE; Chapter 9. Politics, ethnography and prehistory: In search of an 'informed' approach to Finnish and Karelian rock art; Introduction. | |
| 505 | 8 | |a The rock art region and local ethnohistorical sourcesAnalogical reasoning in archaeology; 'Bridging arguments' for an informed approach to Finnish-Karelian rock art; Uralic bird-mythology and the engravings of Lake Onega; Looking back: Finnish archaeology, nationalism and The Kalevala; Russian and Soviet archaeology: From dogmatic Marxism to ethnographically inspired research; Conclusions: Ethnography, politics and the 'informed' approach; Acknowledgements; Notes; References; Chapter 10. Ethnography and history: The significance of social change in interpreting rock art; Introduction; Analogy. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Rock paintings. | |
| 650 | 0 | |a Rock paintings |x Documentation. | |
| 650 | 0 | |a Interpretation (Philosophy) in art. | |
| 650 | 0 | |a Art, Prehistoric. | |
| 650 | 6 | |a Art préhistorique. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Archaeology. |2 bisacsh | |
| 650 | 7 | |a Art, Prehistoric |2 fast | |
| 650 | 7 | |a Interpretation (Philosophy) in art |2 fast | |
| 650 | 7 | |a Rock paintings |2 fast | |
| 700 | 1 | |a Smith, Benjamin, |d 1969- |e editor. | |
| 700 | 1 | |a Helskog, Knut Arne, |d 1944- |e editor. | |
| 700 | 1 | |a Morris, David, |d 1957- |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Smith, Benjamin. |t Working with Rock Art : Recording, Presenting and Understanding Rock Art Using Indigenous Knowledge. |d Chicago : Wits University Press, ©2014 |z 9781868145454 |
| 830 | 0 | |a RARI monograph ; |v 4. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.18772/22012125454 |z Texto completo |
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