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Bach to Brahms : essays on musical design and structure /

Bach to Brahms presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays are divided into three groups, two of which focus primarily on the interaction...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Beach, David, 1938- (Editor ), Goldenberg, Yosef, 1967- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, 2015.
Colección:Eastman studies in music ; v. 122.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Strolling through a Haydn Divertimento with two Heinrichs / L. Poundie Burstein -- Ritornelli or soli : what did Mozart compose first in his Violin concerto, K. 207? / Naphtali Wagner -- Outer form, inner form, and other musical narratives in Beethoven's opus 14, no. 2 / Joel Lester -- Temporal poise and oblique dynamic in the first movement of Beethoven's "Archduke" trio / Frank Samarotto -- Chopin as an interpreter of Mozart : the Variations, opus 2 and Don Giovanni / Eytan Agmon -- The first movement of Brahms's fourth symphony revisited : a study of the fanfare and the "cloud of mystery" / Yosef Goldenberg -- "Capricious play" : veiled cyclic relations in Brahms's Ballades, op. 10 and Phantasies, op. 116 / William Kinderman -- Chopin's study in syncopation / John Rink -- A♯ practice, A[natural] alternative : the transition into the recapitulation in the first movement of Beethoven's "Hammerklavier" sonata / Eric Wen -- Ernst Oster's vision of hidden repetitions and motivic enlargements in J.S. Bach's short keyboard works / Channan Willner -- The "pseudo-Einsatz" in two Handel fugues : Heinrich Schenker's analytic work with Reinhard Oppel / Timothy Jackson -- Formal fusion and its effect on voice-leading structure : the first movement of Beethoven's opus 132 revisited / Boyd Pomeroy -- Indistinct formal functions and conflicting temporal processes in the second movement of Brahms's third symphony / Lauri Suurpää -- The interaction of structure and design in the opening movements of Schubert's piano trios in B-flat major (D. 898) and E-flat major (D. 929) / David Beach -- The suspenseful structure of Brahms's C-major Capriccio, op. 76, no. 8 : a Schenkerian hearing / Charles Burkhart. 
520 |a Bach to Brahms presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays are divided into three groups, two of which focus primarily on the interaction of elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure. The third group of essays focusses on the 'motive' from different perspectives. The result is a volume of integrated studies on the music of the common-practice period, a body of music that remains at the core of modern concert and classroom repertoire. Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Recent publications include Advanced Schenkerian Analysis, and Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition (co-authored with Ryan McClelland). Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian. He is the author of Prolongation of Seventh Chords in Tonal Music (Edwin Mellen Press, 2008) and published in leading journals on music theory and on Israeli music. 
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