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Music and the Crises of the Modern Subject.
Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subj...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Indiana University Press,
2015.
©2015 |
| Colección: | Musical meaning and interpretation.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Klein, Michael L. | |
| 245 | 1 | 0 | |a Music and the Crises of the Modern Subject. |
| 260 | |b Indiana University Press, |c 2015. | ||
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Musical Meaning and Interpretation | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Music and the symptom -- The acoustic mirror as formative of auditory pleasure and fantasy : Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- Debussy and the three machines of the Proustian narrative -- Chopin dreams : the Mazurka in C♯ minor as sinthome -- Intermezzo : on agency -- Postmodern quotation, the signifying chain, and the erasure of history -- Lutoslawski, molar and molecular. | |
| 520 | |a Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by "the subject" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Lacan, Jacques, |d 1901-1981 |x Philosophy. |
| 600 | 1 | 7 | |a Lacan, Jacques, |d 1901-1981 |2 fast |
| 650 | 0 | |a Music |x Psychological aspects. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Musical analysis. | |
| 650 | 6 | |a Musique |x Aspect psychologique. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Analyse musicale. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Music |x Psychological aspects |2 fast | |
| 650 | 7 | |a Musical analysis |2 fast | |
| 650 | 7 | |a Philosophy |2 fast | |
| 776 | 0 | 8 | |i Erscheint auch als: |n Druck-Ausgabe |t Klein, Michael L. Music and the Crises of the Modern Subject |
| 830 | 0 | |a Musical meaning and interpretation. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt16gh91x |z Texto completo |
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