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|a 9780810131118
|q (electronic bk.)
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|a 0810131110
|q (electronic bk.)
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|z 0810131129
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|z 9780810131125
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|z 9780810131101
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|q alk. paper)
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|z 0810131102
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|a (OCoLC)910823877
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|a 22573/ctv45zbj9
|b JSTOR
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|a e-gx---
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|a PT405
|b .R84 2015
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|a 830.911
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|a UAMI
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|a Rumold, Rainer.
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|a Archaeologies of modernity :
|b avant-garde Bildung /
|c Rainer Rumold.
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|a Evanston, Illinois :
|b Northwestern University Press,
|c 2015.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a Includes bibliographical references and index.
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|g Part I. Decentered corporeality: metropolitan and regional image zones of play --
|t Archaeologies of modernity: toward bildung without a self --
|t Corporeal topographies of the image zone: from Oskar Kokoschka's murder of metaphor to Georges Bataille's Acephale --
|t Kafka's nomad images: from multilingual borderland to global experience --
|t Regional sights and sounds: Jean/Hans Arp's Alsatian hobbyhorse play and Franz Kafka's whistling mice --
|g Part II. The I-less eye: primitivist archaeologies and images of modernity --
|t Archaeologies of modernity in transition and documents, Paris 1929-30: Eugene Jolas, Carl Einstein, Georges Bataille --
|t Seeing African sculpture: Carl Einstein's "ethnographie du blanc" --
|t Painting as a language: why not? Carl Einstein in documents --
|g Part III. Toward the dissolution of modernity: the politics of (auto- )formation of the real prelude: forms of the singular versus Georges Bataille's informe --
|t Kurt Schwitters's forme indefinie and Merzbau arche-texture versus vertical architecture --
|t Walter Benjamin: the intoxicated physiognomist: writing denkbilder in the name of Ariadne --
|t Benjamin's urban arche-texture: thought-images toward the dissolution of the labyrinth of phantasmagoria --
|t Conclusion: the politics of (auto- )formation of the real from the visual unconscious: Einstein and Benjamin.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Art
|x Influence.
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| 650 |
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|a Modernism (Aesthetics)
|z Germany
|x History
|y 20th century.
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| 650 |
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|a Avant-garde (Aesthetics)
|z Germany
|x History
|y 20th century.
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| 650 |
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|a Painting, German
|y 20th century.
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| 650 |
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|a German literature
|y 20th century
|x History and criticism.
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| 650 |
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|a Art premier
|x Influence.
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| 650 |
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|a Modernisme (Esthétique)
|z Allemagne
|x Histoire
|y 20e siècle.
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| 650 |
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|a Peinture allemande
|y 20e siècle.
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| 650 |
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|a Littérature allemande
|y 20e siècle
|x Histoire et critique.
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| 650 |
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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|a Art
|x Influence
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|a Avant-garde (Aesthetics)
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|a German literature
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|a Modernism (Aesthetics)
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|a Painting, German
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|a Germany
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|a 1900-1999
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|a History
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|a Criticism, interpretation, etc.
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|i Print version:
|a Rumold, Rainer.
|t Archaeologies of modernity.
|d Evanston, Illinois : Northwestern University Press, 2015
|w (DLC) 2014046445
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| 856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv47wcgq
|z Texto completo
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|a BATCHLOAD
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|a Askews and Holts Library Services
|b ASKH
|n AH36587668
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|a ProQuest Ebook Central
|b EBLB
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|b IZTAP
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