Sounding the color line : music and race in the southern imagination /

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Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak thro...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nunn, Erich (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : The University of Georgia Press, 2015.
Colección:New southern studies.
Temas:
Faulkner, William, > 1897-1962. > Sanctuary.
Toomer, Jean, > 1894-1967. > Cane.
Cane (Toomer, Jean)
Sanctuary (Faulkner, William)
1900-2099
Folk music > Southern States > History > 21st century.
Folk music > Southern States > History > 20th century.
Popular music > Southern States > 21st century.
Popular music > Southern States > 20th century.
Music and race > Southern States > History > 21st century.
Music and race > Southern States > History > 20th century.
Musique populaire > États-Unis (Sud) > 21e siècle.
Musique populaire > États-Unis (Sud) > 20e siècle.
Musique et race > États-Unis (Sud) > Histoire > 21e siècle.
Musique et race > États-Unis (Sud) > Histoire > 20e siècle.
MUSIC > Genres & Styles > Classical.
MUSIC > Reference.
SOCIAL SCIENCE > Regional Studies.
Folk music.
Music and race.
Popular music.
Southern States.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • American balladry and the anxiety of ancestry
  • Country music and the souls of white folk
  • Plantations, prisons, and the sounds of segregation
  • The new Negro looks south
  • Rethinking music and race in Jean Toomer's Cane
  • Music and racial violence in William Faulkner's Sanctuary
  • Coda : race, region, and the politics of hip-hop authenticity.

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