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JSTOR_ocn909896831 |
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OCoLC |
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20231005004200.0 |
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m o d |
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cr cnu---unuuu |
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150518t20152015gw a ob 000 0 eng d |
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|a E7B
|b eng
|e rda
|e pn
|c E7B
|d N$T
|d EBLCP
|d IDEBK
|d YDXCP
|d IDB
|d OCLCQ
|d DEBSZ
|d OTZ
|d OCLCQ
|d MERUC
|d OCLCQ
|d DEGRU
|d OCLCF
|d OCLCQ
|d LEAUB
|d UKAHL
|d N$T
|d OCLCQ
|d OCLCO
|d OCLCQ
|d JSTOR
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|a 908073647
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|a 9783839430583
|q (electronic bk.)
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|a 3839430585
|q (electronic bk.)
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|z 9783837630589
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|a AU@
|b 000056084410
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|a AU@
|b 000056297693
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|a DEBSZ
|b 489850855
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|a GBVCP
|b 823620840
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035 |
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|a (OCoLC)909896831
|z (OCoLC)908073647
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|a 22573/ctv36z2kpk
|b JSTOR
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|a HM1206
|b .T747 2015eb
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072 |
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|a PSY
|x 031000
|2 bisacsh
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|a SOC
|x 052000
|2 bisacsh
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082 |
0 |
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|a 302.23
|2 23
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|a UAMI
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1 |
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|a Treske, Andreas,
|e author.
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245 |
1 |
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|a Video theory :
|b online video aesthetics or the afterlife of video /
|c Andreas Treske.
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264 |
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|a Bielefeld [Gemany] :
|b [Transcript],
|c 2015.
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|c ©2015
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300 |
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|a 1 online resource (209 pages) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
1 |
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|a Media Studies
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|a Includes bibliographical references.
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588 |
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|a Online resource; title from PDF title page (ebrary, viewed May 14, 2015).
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|a Print version record.
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|a Cover Video Theory; Contents; Acknowledgements; Static-Ocean Blue; Video Unchained; V-Bricks; Tyrannical Loops; Ways of Seeing; Beyonce Vertical; Interiors & Exteriors; Space is only Noise; Illustrations; Bibliography.
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|a Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema. Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Mass media
|x Social aspects.
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650 |
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|a Online social networks
|v Case studies.
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650 |
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|a Online social networks
|x Sociological aspects.
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650 |
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|a Médias
|x Aspect social.
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650 |
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|a Réseaux sociaux (Internet)
|v Études de cas.
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650 |
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|a Réseaux sociaux (Internet)
|x Aspect sociologique.
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650 |
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|a PSYCHOLOGY
|x Social Psychology.
|2 bisacsh
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650 |
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7 |
|a SOCIAL SCIENCE / Media Studies
|2 bisacsh
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650 |
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7 |
|a Mass media
|x Social aspects.
|2 fast
|0 (OCoLC)fst01011303
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650 |
|
7 |
|a Online social networks.
|2 fast
|0 (OCoLC)fst01741311
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655 |
|
7 |
|a Case studies.
|2 fast
|0 (OCoLC)fst01423765
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776 |
0 |
8 |
|i Print version:
|a Treske, Andreas.
|t Video theory
|z 9783837630589
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830 |
|
0 |
|a Media studies.
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371bsfn
|z Texto completo
|
938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH28354752
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938 |
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|a De Gruyter
|b DEGR
|n 9783839430583
|
938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL2026277
|
938 |
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|a ebrary
|b EBRY
|n ebr11052228
|
938 |
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|a EBSCOhost
|b EBSC
|n 993798
|
938 |
|
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis31159197
|
938 |
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|a YBP Library Services
|b YANK
|n 12395618
|
994 |
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|a 92
|b IZTAP
|