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The films of Adoor Gopalakrishnan : a cinema of emancipation /
This first study of Adoor Gopalakrishnan's feature films offers a compelling analysis of the socio-historical contexts of his work. Suranjan Ganguly examines how Kerala's abrupt displacement from a princely feudal state into twentieth-century modernity has shaped Gopalakrishnan's comp...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London, England :
Anthem Press,
2015.
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| Colección: | New perspectives on world cinema The films of Adoor Gopalakrishnan
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ganguly, Suranjan, |d 1958- |e author. | |
| 245 | 1 | 4 | |a The films of Adoor Gopalakrishnan : |b a cinema of emancipation / |c Suranjan Ganguly. |
| 264 | 1 | |a London, England : |b Anthem Press, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (178 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 0 | |a New perspectives on world cinema The films of Adoor Gopalakrishnan | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 505 | 0 | |a Things fall apart: Mukhamukham and the failure of the collective -- The domain of inertia: Elippathayam and the crisis of masculinity -- Master and slave: Vidheyan and the debasement of power[1] -- The server and the served: Kodiyettam and the politics of consumption -- The search for home: Swayamvaram and the struggle with conscience -- Woman in the doorway: Naalu Pennungal and Oru Pennum Randaanum -- Making the imaginary real: Anantaram, Mathilukal and Nizhalkkuthu -- The dream of emancipation: Kathapurushan and the triumph of the individual filmography. | |
| 520 | |a This first study of Adoor Gopalakrishnan's feature films offers a compelling analysis of the socio-historical contexts of his work. Suranjan Ganguly examines how Kerala's abrupt displacement from a princely feudal state into twentieth-century modernity has shaped Gopalakrishnan's complex narratives about identity, selfhood and otherness, in which innocence is often at stake, and characters struggle with their consciences. Ganguly places the films within their larger frameworks of guilt and redemption in which the hope of emancipation - moral, spiritual and creative - is real and tangible. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Gopalakrishnan, Adoor, |d 1941- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Gopalakrishnan, Adoor, |d 1941- |2 fast |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Ganguly, Suranjan, 1958- |t Films of Adoor Gopalakrishnan : a cinema of emancipation. |d London, England : Anthem Press, ©2015 |h xii, 166 pages |z 9781783084098 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1gxp6pz |z Texto completo |
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