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|a UAMI
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|a García Bravo, Esteban,
|e author.
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|a Cybernethisms :
|b Aldo Giorgini's computer art legacy /
|c Esteban García Bravo.
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|a West Lafayette, Indiana :
|b Purdue University Press,
|c 2015.
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|c ©2015
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|a 1 online resource (120 pages) :
|b illustrations
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|a text
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|a computer
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|a online resource
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (ebrary, viewed May 7, 2015).
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|a Cover; Copyright; Dedication; Contents; Acknowledgments; Introduction; I.A Biography of Aldo Giorgini; The Beginnings; Fields: A Numerical Visual Laboratory; Aesthetics in Technology; Stretched Surfaces; Quasi-Photographic; Later Years; II. Computer Art in Context; III. Future of the Collection; IV. Selected Texts by Aldo Giorgini; Fields (1975); Experiments in Computer Visualization (1975); Black Boxes and Art: Chisels and Computers (1975); Palette (1980); Stretch (1981); Pueblo (1982); V.A Biographical Sketch of Aldo Giorgini; Aldo Giorgini Biographical Sketch; References; Index.
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|a Working extensively as both artist and scientist, Aldo Giorgini (1934-1994) was one of the first computer artists to combine software writing with early printing technologies. His innovative process involved producing pen-plotted drawings that were embellished by painting, drawing, photography, and screen printing. This biography is the first to uncover the remarkable work and life of an underappreciated artist, providing insights into the innovative methods and computerized techniques he used to weave creations that seamlessly combined technological sophistication with artistic sensibility. Bu.
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|a Giorgini, Aldo.
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|i Print version:
|a Bravo, Esteban García.
|t Cybernethisms : Aldo Giorgini's computer art legacy.
|d West Lafayette, Indiana : Purdue University Press, ©2015
|h xv, 103 pages
|z 9781557537072
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv15wxqc5
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