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|a 017166867
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|a 1262684864
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|a 9781782386988
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|a 178238698X
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|z (OCoLC)1262684864
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|b JSTOR
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|a UAMI
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|a Fuhrmann, Wolfgang,
|d 1965-
|e author.
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|a Imperial projections :
|b screening the German colonies /
|c Wolfgang Fuhrmann.
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|a New York ;
|a Oxford :
|b Berghahn Books,
|c [2015]
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|c ©2015
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|a 1 online resource :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Film Europa: German cinema in an international context
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|a Includes bibliographical references (pages 278-301) and index.
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|a Includes filmography.
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|a Introduction -- The beginning of colonial film culture in Imperial Germany. From the variety theatre to the German colonial society -- Carl Muller: a colonial film maker -- The DKG's film shows: the colonies in motion -- Addressing the masses. The 'Hottentot election' of 1907 -- The DKG's Kinematographenkampagne -- Rise and fall of the Kinemtographenkampagne -- Ethnographic filmmaking in the colonies -- Karl Weule in German East Africa -- The expedition in context: modern German ethnography -- Filming in the Colonies: Training and Improvisation -- Tourism, Entertainment, and Colonial Ideology. Colonial Films in Public Cinema -- The colonial travelogue -- Colonial films in transition: Robert Schumann's comeback -- Colonial film propaganda during the First World War. Setting up colonial war propaganda -- The Deutsche Kolonial-filmgesellschaft (DEUKO) -- Conclusion. Beyond the colonial era.
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|a Print version record.
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|a The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Documentary films
|z Germany
|x History
|y 20th century.
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|a Motion pictures
|z Germany
|x Colonies.
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|a Motion pictures in propaganda
|z Germany.
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|a Germany
|x Colonies
|x History
|y 20th century.
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|a Cinéma dans la propagande
|z Allemagne.
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|a Documentaires
|z Allemagne
|x Histoire
|y 20e siècle.
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|a Cinéma
|z Allemagne
|x Colonies.
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|a LANGUAGE ARTS & DISCIPLINES
|x Journalism.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Documentary films
|2 fast
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|a German colonies
|2 fast
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|a Motion pictures in propaganda
|2 fast
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|a Germany
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|a 1900-1999
|2 fast
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|a History
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|i Print version:
|a Fuhrmann, Wolfgang.
|t Imperial projections
|z 9781782386971
|w (DLC) 2014039947
|w (OCoLC)896862077
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|a Film Europa.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qcxcz
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH28166604
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|a Coutts Information Services
|b COUT
|n 31588038
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|a De Gruyter
|b DEGR
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