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Imperial projections : screening the German colonies /

The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fuhrmann, Wolfgang, 1965- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York ; Oxford : Berghahn Books, [2015]
Colección:Film Europa.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Fuhrmann, Wolfgang,  |d 1965-  |e author. 
245 1 0 |a Imperial projections :  |b screening the German colonies /  |c Wolfgang Fuhrmann. 
264 1 |a New York ;  |a Oxford :  |b Berghahn Books,  |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource :  |b illustrations 
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490 1 |a Film Europa: German cinema in an international context 
504 |a Includes bibliographical references (pages 278-301) and index. 
504 |a Includes filmography. 
505 0 |a Introduction -- The beginning of colonial film culture in Imperial Germany. From the variety theatre to the German colonial society -- Carl Muller: a colonial film maker -- The DKG's film shows: the colonies in motion -- Addressing the masses. The 'Hottentot election' of 1907 -- The DKG's Kinematographenkampagne -- Rise and fall of the Kinemtographenkampagne -- Ethnographic filmmaking in the colonies -- Karl Weule in German East Africa -- The expedition in context: modern German ethnography -- Filming in the Colonies: Training and Improvisation -- Tourism, Entertainment, and Colonial Ideology. Colonial Films in Public Cinema -- The colonial travelogue -- Colonial films in transition: Robert Schumann's comeback -- Colonial film propaganda during the First World War. Setting up colonial war propaganda -- The Deutsche Kolonial-filmgesellschaft (DEUKO) -- Conclusion. Beyond the colonial era. 
588 0 |a Print version record. 
520 |a The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film industry, films of the colonies were welcomed by organizations such as the Deutsche Kolonialgesellschaft (German Colonial Society). The films triggered patriotic feelings but also addressed the audience as travelers, explorers, wildlife protectionists, and participants in unique cultural events. This book is the first in-depth analysis of colonial filmmaking in the Wilhelmine Era. 
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650 0 |a Documentary films  |z Germany  |x History  |y 20th century. 
650 0 |a Motion pictures  |z Germany  |x Colonies. 
650 0 |a Motion pictures in propaganda  |z Germany. 
651 0 |a Germany  |x Colonies  |x History  |y 20th century. 
650 6 |a Cinéma dans la propagande  |z Allemagne. 
650 6 |a Documentaires  |z Allemagne  |x Histoire  |y 20e siècle. 
650 6 |a Cinéma  |z Allemagne  |x Colonies. 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Journalism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Documentary films  |2 fast 
650 7 |a German colonies  |2 fast 
650 7 |a Motion pictures in propaganda  |2 fast 
651 7 |a Germany  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Fuhrmann, Wolfgang.  |t Imperial projections  |z 9781782386971  |w (DLC) 2014039947  |w (OCoLC)896862077 
830 0 |a Film Europa. 
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