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150507s2015 enka ob 001 0 eng d |
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|a YDXCP
|b eng
|e pn
|c YDXCP
|d OCLCO
|d TEFOD
|d OCLCO
|d IDEBK
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|d JSTOR
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|d M8D
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|d DGITA
|d OCLCO
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|a 908632440
|a 971057399
|a 971208964
|a 979887767
|a 988815036
|a 1370509140
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|a 0231850778
|q (electronic bk.)
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|a 9780231850773
|q (electronic bk.)
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|z 9780231172707
|q (hardcover)
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|z 0231172702
|q (hardcover)
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|z 9780231172714
|q (paperback)
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|z 0231172710
|q (paperback)
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|a (OCoLC)908651252
|z (OCoLC)908632440
|z (OCoLC)971057399
|z (OCoLC)971208964
|z (OCoLC)979887767
|z (OCoLC)988815036
|z (OCoLC)1370509140
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037 |
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|a CCE61C7F-D78D-4011-82C6-2F1F8486A1E4
|b OverDrive, Inc.
|n http://www.overdrive.com
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|a 22573/ctt145j6cm
|b JSTOR
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050 |
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|a PN1995.9.E96
|b M34 2015
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|a PER004030
|2 bisacsh
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|a PER004020
|2 bisacsh
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|a 791.43611
|2 23
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|a UAMI
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|a Magagnoli, Paolo,
|e author.
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|a Documents of utopia :
|b the politics of experimental documentary /
|c Paolo Magagnoli.
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|a London ;
|a New York :
|b Columbia University Press,
|c [2015]
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300 |
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|a 1 online resource (viii, 184 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Nonfictions
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|a Includes bibliographical references and index.
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|a This timely volume discusses the experimental documentary projects of some of the most significant artists working in the world today: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulene, Ilya and Emilia Kabakov, Jon Thomson and Alison Craighead, and Anri Sala. Their films, videos, and photographic series address failed utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and critically contributes to the debate on the conditions of utopian thinking in late-capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the utopian imagination from its futuristic pole toward remembrance. The book therefore provides one of the first critical examinations of the recent turn toward documentary in the field of contemporary art.
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|a Print version record.
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|t Machine generated contents note
|g 1.
|t Ruins Of Utopia --
|g 2.
|t Reinventing Propaganda Films --
|g 3.
|t Archives Of Commodities --
|g 4.
|t Digital Utopia In The Post-Internet Age.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Experimental films
|x History and criticism.
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|a Documentary films
|x History and criticism.
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|a Documentaires
|x Histoire et critique.
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Documentary films
|2 fast
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|a Experimental films
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|z 9780231172707
|z 0231172702
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|a Nonfictions.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.7312/maga17271
|z Texto completo
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936 |
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|a BATCHLOAD
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938 |
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|a Digitalia Publishing
|b DGIT
|n DIGCOLUP1076
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938 |
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|a EBSCOhost
|b EBSC
|n 1015198
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938 |
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis31022123
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938 |
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|a Recorded Books, LLC
|b RECE
|n rbeEB00662998
|
938 |
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|a YBP Library Services
|b YANK
|n 12389949
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994 |
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|a 92
|b IZTAP
|