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|a 10.7312/vonm17246
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|a Mücke, Dorothea E. von,
|e author.
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|a The Practices of the Enlightenment :
|b Aesthetics, Authorship, and the Public /
|c Dorothea E. Von Mücke.
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|a New York :
|b Columbia University Press,
|c 2015.
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|a 1 online resource (321 pages)
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|a Columbia Themes in Philosophy, Social Criticism, and the Arts
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|a Print version record.
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|a Rethinking the relationship between 18th-century Pietist traditions and Enlightenment thought and practice, 'The Practices of Enlightenment' unravels the complex and often neglected religious origins of modern secular discourse.
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|a Includes bibliographical references and index.
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|a Table of Contents; Acknowledgments; Introduction; Part One. The Birth of Aesthetics, the Ends of Teleology, and the Rise of Genius; 1. The Surprising Origins of Enlightenment Aesthetics; 2. Disinterested Interest: The Human Animal's Lack of Instinct; 3. Beautiful, not Intelligent Design; 4. Enlightenment Discourses on Original Genius; 5. "Where Nature Gives the Rule to Art"; 6. The Strasbourg Cathedral: Edification and Theophany; Conclusion; Part Two. Confessional Discourse, Autobiography, and Authorship; 7. Pietism; 8. Rousseau.
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|a 9. Goethe: From the "Confessions of a Beautiful Soul" to Poetry and TruthPart Three. Imagined Communities and the Mobilization of a Critical Public; 10. Patriotic Invocations of the Public; 11. Real and Virtual Audiences in Herder's Concept of the Modern Public; 12. Mobilizing a Critical Public; Notes; Index.
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|a English.
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|a Enlightenment.
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|a Aesthetics.
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|a Authorship.
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|a Siècle des Lumières.
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|a Art d'écrire.
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|a Enlightenment (18th-century western movement)
|2 aat
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|a authorship.
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|a HISTORY
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|a Ästhetik
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|i Print version:
|a Von Mücke, Dorothea E.
|t Practices of the Enlightenment : Aesthetics, Authorship, and the Public.
|d New York : Columbia University Press, ©2015
|z 9780231172462
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|a Columbia themes in philosophy, social criticism, and the arts.
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|u https://jstor.uam.elogim.com/stable/10.7312/von-17246
|z Texto completo
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