Making photography matter : a viewer's history from the Civil War to the Great Depression /

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"Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reations to photographs to comment on and debate public issues as vital as war, national identity, and citizenship"--Jacket

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Finnegan, Cara A.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2015]
Temas:
1800-1999
Documentary photography > United States > History > 20th century.
Documentary photography > United States > History > 19th century.
Photography > Social aspects > United States.
Visual Arts.
Art, Architecture & Applied Arts.
Photography.
Photographie documentaire > États-Unis > Histoire > 20e siècle.
Photographie documentaire > États-Unis > Histoire > 19e siècle.
Photographie > Aspect social > États-Unis.
COMPUTERS > Digital Media > Photography.
PHOTOGRAPHY > Reference.
TECHNOLOGY & ENGINEERING > Imaging Systems.
SOCIAL SCIENCE > Media Studies.
Documentary photography.
Photography > Social aspects.
United States.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The presence of unknown soldiers and imaginary spirits : viewing national grief and trauma in the Civil War
  • Recognizing Lincoln : portrait photography and the physiognomy of national character
  • Appropriating the healthy child : the child that toileth not and Progressive Era child labor photography
  • Managing the magnitude of the Great Depression : viewers respond to FSA photography.

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