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The pagan writes back : when world religion meets world literature /

In the first book to consider the study of world religion and world literature in concert, Zhange Ni proposes a new reading strategy that she calls "pagan criticism," which she applies not only to late twentieth- and early twenty-first-century literary texts that engage the global resurgen...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ni, Zhange, 1977-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : University of Virginia Press, [2015]
Colección:Studies in religion and culture (Charlottesville, Va.)
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ni, Zhange,  |d 1977- 
245 1 4 |a The pagan writes back :  |b when world religion meets world literature /  |c Zhange Ni. 
260 |a London :  |b University of Virginia Press,  |c [2015] 
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490 1 |a Studies in Religion and Culture 
504 |a Includes bibliographical references and index. 
505 0 |a Proposing Pagan criticism -- Historical notes on the varieties of paganism -- From secular criticism to Pagan criticism -- Practicing Pagan criticism -- Literary paradise, female golem, and Cynthia Ozick's Pagan paradox -- Wonder tale, Pagan utopia, and Margaret Atwood's radical hope -- The aporia of Japan's orient and end Shsaku's posthuman Pagan theology -- The Pagan problem in modern China and Gao Xingjian's "wild man" series. 
588 0 |a Print version record. 
546 |a English. 
520 8 |a In the first book to consider the study of world religion and world literature in concert, Zhange Ni proposes a new reading strategy that she calls "pagan criticism," which she applies not only to late twentieth- and early twenty-first-century literary texts that engage the global resurgence of religion but also to the very concepts of religion and the secular. Focusing on two North American writers (the Jewish American Cynthia Ozick and the Canadian Margaret Atwood) and two East Asian writers (the Japanese Endo Shusaku and the Chinese Gao Xingjian), Ni reads their fiction, drama, and prose to envision a "pagan (re)turn" in the study of world religion and world literature. In doing so, she highlights the historical complexities and contingencies in literary texts and challenges both Christian and secularist assumptions regarding aesthetics and hermeneutics. In assessing the collision of religion and literature, Ni argues that the clash has been not so much between monotheistic orthodoxies and the sanctification of literature as between the modern Western model of religion and the secular and its non-Western others. When East and West converge under the rubric of paganism, she argues, the study of religion and literature develops into that of world religion and world literature 
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650 0 |a Religion and literature. 
650 0 |a Paganism in literature. 
650 0 |a Secularism in literature. 
650 0 |a Neopaganism. 
650 6 |a Néopaganisme. 
650 6 |a Paganisme dans la littérature. 
650 6 |a Religion et littérature. 
650 7 |a RELIGION  |x Philosophy.  |2 bisacsh 
650 7 |a Neopaganism  |2 fast 
650 7 |a Paganism in literature  |2 fast 
650 7 |a Religion and literature  |2 fast 
650 7 |a Secularism in literature  |2 fast 
776 0 8 |i Print version:  |a Ni, Zhange.  |t Pagan Writes Back : When World Religion Meets World Literature.  |d Charlottesville : University of Virginia Press, ©2015  |z 9780813937687 
830 0 |a Studies in religion and culture (Charlottesville, Va.) 
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