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The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace /

This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of bl...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gilbert, David W. (David Walker), 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : The University of North Carolina Press, 2015.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Gilbert, David W.  |q (David Walker),  |d 1975-  |e author. 
245 1 4 |a The product of our souls :  |b ragtime, race, and the birth of the Manhattan musical marketplace /  |c David Gilbert. 
260 |a Chapel Hill :  |b The University of North Carolina Press,  |c 2015. 
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504 |a Includes bibliographical references and index. 
505 0 |a A new musical rhythm was given to the people : rhythm and representation in black Manhattan -- Do all we could to get what we felt belonged to us by the laws of nature : selling real Negro melodies and marketing authentic black rhythms -- Appreciate the noble and the beautiful within us : ragging uplift with rhythmic transgressions -- The piano man was it! The man in charge : black nightclubs and ragtime identities in New York's Tenderloin -- To promote greater efficiency among its members : ragtime in Times Square and the Clef Club Inc -- Rhythm is something that is born in the Negro : black musical value and the consolidation of "Negro music" -- A new type of Negro musician : social dance and black musical value in prewar America. 
588 0 |a Print version record. 
520 8 |a This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a African American musicians  |z New York (State)  |z New York. 
650 0 |a Music and race  |z New York (State)  |z New York  |x History  |y 20th century. 
650 0 |a Ragtime music  |x Social aspects  |z New York (State)  |z New York  |x History  |y 20th century. 
650 0 |a Ragtime music  |z New York (State)  |z New York  |x History and criticism. 
650 0 |a African Americans  |z New York (State)  |z New York  |x Music  |x History and criticism. 
650 6 |a Musiciens noirs américains  |z New York (État)  |z New York. 
650 6 |a Musique et race  |z New York (État)  |z New York  |x Histoire  |y 20e siècle. 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x African American Studies.  |2 bisacsh 
650 7 |a African American musicians  |2 fast 
650 7 |a African Americans  |x Music  |2 fast 
650 7 |a Music and race  |2 fast 
650 7 |a Ragtime music  |2 fast 
651 7 |a New York (State)  |z New York  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Gilbert, David W. (David Walker), 1975-  |t Product of our souls.  |d Chapel Hill : The University of North Carolina Press, 2015  |w (DLC) 2014030758 
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